A successful nightclub singer weds a struggling songwriter, but when his fame eclipses hers, she delves into alcoholism.

Director:

Stuart Heisler

Writers:

John Howard Lawson (screenplay), Lionel Wiggam (additional dialogue) | 2 more credits »
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Nominated for 2 Oscars. See more awards »

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Cast

Complete credited cast:
Susan Hayward ... Angie Evans
Lee Bowman ... Ken Conway
Marsha Hunt ... Martha Gray
Eddie Albert ... Steve Nelson
Carl Esmond ... Dr. Lorenz
Carleton G. Young ... Fred Elliott
Charles D. Brown Charles D. Brown ... Michael 'Mike' Dawson
Janet Murdoch Janet Murdoch ... Miss Kirk
Sharyn Payne Sharyn Payne ... Angelica 'Angel' Conway
Robert Shayne ... Mr. Gordon
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Storyline

Fast-rising nightclub singer, Angie Evans, interrupts her career to marry struggling songwriter Ken Conway. When Ken lucks into a career as a chart-topping radio crooner, Angie's forced into idle luxury which proves her downfall. Her alcoholism grows ever more and Ken remains clueless concerning his part in her problems. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Love-Wrecked! See more »


Certificate:

Approved | See all certifications »
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Quotes

Ken Conway: I'm gonna have a baby!
Steve Nelson: I told you you had talent.
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Connections

Spoofed in Polyester (1981) See more »

Soundtracks

A Cowboy's Never Lonesome
(1947)
by Jack Brooks
Played on guitar by Eddie Albert (uncredited) and sung by Lee Bowman (uncredited) (dubbed by Hal Derwin (uncredited)) at the radio broadcast
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User Reviews

 
Probably Susan Hayward's best film...too bad it's mostly forgotten
4 March 2007 | by MartinHaferSee all my reviews

There is a lot to like about this film and it's sure a shame that it's not better-known. Unfortunately, Miss Hayward was later given an Oscar for her WAAAAAY over the top performance in I WANT TO LIVE, whereas she only was nominated for this film. Oddly, Loretta Young won for THE FARMER'S DAUGHTER, a kooky and not particularly deep film--in my opinion Hayward definitely deserved the award. Perhaps she lost since she was a relative newcomer.

The reason I liked the film so much was that it was an excellent study of alcoholism as well as the contribution an enabling spouse can have on the drinking. This aspect of alcoholism was not explored in the award-winning LOST WEEKEND, plus LOST WEEKEND ended on a very unrealistic and overly optimistic note that just didn't ring true. In most ways, SMASH-UP was a better film (though the scenes of Ray Milland having DTs were incredible).

By the way, if you liked this film and want to see an even better film on drinking and a destructive relationship, try DAYS OF WINE AND ROSES--perhaps the best study of alcoholism ever put on screen.


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Details

Country:

USA

Language:

English

Release Date:

March 1947 (USA) See more »

Also Known As:

Smash-Up See more »

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Box Office

Budget:

$1,360,286 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
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