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The Sin of Harold Diddlebock (1947)

Approved | | Comedy | 4 April 1947 (USA)
Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »

Director:

Preston Sturges

Writer:

Preston Sturges (original screenplay)
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Nominated for 1 Golden Globe. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Harold Lloyd ... Harold Diddlebock
Jimmy Conlin Jimmy Conlin ... Wormy
Raymond Walburn ... E.J. Waggleberry
Rudy Vallee ... Lynn Sargent
Edgar Kennedy ... Jake the Bartender
Arline Judge ... Manicurist
Franklin Pangborn ... Formfit Franklin
Lionel Stander ... Max
Margaret Hamilton ... Flora
Jack Norton ... James R. Smoke
Robert Dudley ... Robert McDuffy
Arthur Hoyt ... J.P. Blackstone
Julius Tannen ... Nearsighted Banker
Al Bridge ... Wild Bill Hickock
Robert Greig ... Algernon McNiff
Edit

Storyline

Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job destroys that dream, and when he finds a particularly potent drink at his local bar, he goes on a very strange and funny rampage (with a lion in tow). Written by Kathy Li

Plot Summary | Plot Synopsis

Taglines:

Mad Wednesday!! Written and Directed by the one and only Preston Sturges who gave you "The Miracle of Morgan's Creek", "The Great McGinty", and other smash hits! (1950 reissue poster). See more »

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

4 April 1947 (USA) See more »

Also Known As:

Mad Wednesday See more »

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Box Office

Budget:

$1,712,959 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

California Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (1950 re-release) | (DVD)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The film opens with the following written foreword: "The football game you are about to see was *actually photographed* in 1923 as part of Harold Lloyd's famous picture "The Freshman": The story of a water boy who thought he was a member of the team." See more »

Goofs

When Diddlebock is reaching for Jackie's lead on the ledge, the overhead shot from behind shows Jackie's legs close to the wall. The closer shot (from the front) shows Diddlebock reaching between Jackie's legs, with Jackie's feet now on the edge. See more »

Quotes

E.J. Waggleberry: We don't start people at the top, you understand. That would be too easy. We do it the American way! We give them an opportunity to work up! - from the bottom. What satisfaction! What the feeling of accomplishment you will have, when you are able to look back, from whatever rung of the ladder you're, eh, go-getiveness would have paced you on, to say, I - I did that!
See more »

Crazy Credits

"... and for the first time a young girl called Frances Ramsden playing the youngest Miss Otis" See more »

Alternate Versions

Originally released at 90 minutes; was then re-edited and re-released in a shorter 79-minutes version under the title "Mad Wednesday" in 1950. See more »

Connections

Referenced in Hollywood Mouth 2 (2014) See more »

Soundtracks

Willian Tell Overture
(uncredited)
Music by Gioachino Rossini
Played during the horse race scene
Also played during the scene on the building ledge
See more »

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User Reviews

 
Seminal, Brilliant, Heartbreaking
28 September 2003 | by robwms63See all my reviews

This film drags in some parts, and Lloyd I think puts off some modern viewers. The first time I watched it I thought it was the film equivalent of seeing Ali vs. Andre the Giant. But Sturges' brilliance is in here, and the degree to which it is derived from Lloyd is paid homage to in a wonderful, dark, surreal way. How can you not love a film that starts with the last moments of Lloyd's The Freshman and then shows the hero turned into a mail room stooge who gets buried by the corporate system? The ending is wonderfully hypnotic, happy? Well as is always the case, the poor down trodden guy figures out how to operate the machine just enough to produce his own deus ex machina. Sturges and Lloyd look more brilliant and visionary than ever from the vantage point of post-Enron, MCI, etc.


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