Scat Sweeney, and Hot Lips Barton, two out of work musicians, stow away on board a Rio bound ship, after accidentally setting fire to the big top of a circus. They then get mixed up with a potential suicide Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. When they find out that she has been hypnotized, to go through a marriage of convenience, when the ship reaches Rio, the boys turn up at the ceremony, in order to stop the wedding, and to help catch the crooks.Written by
The airplane that Hot Lips and Scat ride to Cantina was an ERCO Ercoupe, a low-wing monoplane aircraft with a twin tail that was designed Fred Weick and manufactured by the Engineering and Research Corporation (ERCO). A light, 2-passenger model, it could not have carried the 8 people who exit, clown-car style, after it lands. As Scat says, "Pretty cozy in there, wasn't it?" See more »
The first time we see the aunt hypnotize Lucia, the shadow of her hand on Lucia is different between the wide shots and the close-ups. See more »
Hot Lips Barton:
[Knocking the bad guys unconscious with the pattycake routine]
That's what they get for not seeing our pictures!
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Opening credits begin with the names of the stars (and their legs) doing a dance, with the rest of the credits swaying in time with the music. See more »
Although Hope, Crosby and Lamour were teaming together for the fifth time in a Road movie, the format and style remain fresh, with a greater emphasis on song and a more rigid plot-line than in its four predecessors. The interplay between the three stars continues to be a delight, and Gale Sondergaard makes for a wonderful villain, whilst the Wiere Brothers almost steal the show as a trio of Rio street entertainers whom Bing and Bob persuade to impersonate the last three members of the five-piece all-American band that they have promised to deliver into Nestor Paiva's nightclub. There are a number of hilarious set-pieces, particularly with Hope cycling on a tightrope, and a rousing and manic climax. As a result of all these fine features, "Road to Rio" is only a notch down from my favourite Road picture, "Road to Utopia".
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