A woman wanders the streets of Los Angeles in some sort of emotional distress. She is also under some delusion as she approaches many men, strangers who she calls "David". Eventually, an ambulance is called, the attendants who take her to the hospital, where she is eventually placed in the psychiatric ward. Placing her under some medication to help her remember, Dr. Harvey Willard, the psychiatrist on duty, is able to get some semblance of a story out of her over the ensuing days. This phase of her life begins just over a year ago when she, single RN Louise Howell, is under the employ of wealthy Dean Graham to take care of his chronically ill and largely bedridden wife, Pauline Graham, at their lake house outside of Washington, DC. Due to her circumstances, Pauline believes that Dean and Louise are carrying on an affair behind her back. Louise can see that Dean does have feelings for her that way in his loneliness. The "David" in question is David Sutton, a civil engineer who lives ...Written by
According to an item in The Hollywood Reporter from August 6, 1946, production on this film was suspended several weeks due to Joan Crawford having strep throat. The story also notes that Crawford had cinematographer Sidney Hickox replaced by Joseph A. Valentine despite Hickox having already worked on the film for 38 days. See more »
Don't change shoes in mid-scene.
In the opening scene, there is a close up on Miss Crawford's shoes as she walks across the street she is wearing a stellar pair of closed-toe pumps, with a laced-tie front, also called an "Oxford". Likely designed by Adrian the same designer of the Ruby Slippers for the Wizard Of Oz.
When the cable car pulls up to Miss Crawford she is still wearing the Oxford style pumps but then in the very next scene, Miss Crawford appears on the steps of a church wearing high-heeled, strap back, pumps. She wears the strap-backs until the scene where she is driven to the hospital. See more »
[upon meeting Carol again who he last saw when she was a bratty 11-year-old girl, but is now a shapely 20-year-old woman]
Let me look at you. Mm-hmm. Well, you... you haven't grown very much, but... then again, you have.
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Also available in a computer colorized version. See more »
This movie takes the smoldering talents of Joan Crawford and lets them burn the screen down, right before your eyes...she's utterly convincing as a fairly demented "possessed" lover, torn to pieces by hideous dysfunction. The lowest of lows, and not many highs...
Mildred Pierce laid the template down; Possessed fills the template and makes it its own. What I personally love is the "Hollywood Gothic" aspect, the redolence of that: every frame is steeped in it, every moment is cradled in its embrace. One of those movies that you watch, mouth agape, and whisper to yourself, "Christ, the aesthetics...was the world ever really like that?" Apparently so.
Oh, and for the record - it was a better world.
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