Senor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho ... See full summary »
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly ... See full summary »
The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's ... See full summary »
When the king of Denmark dies suddenly, his son, crown prince Hamlet, returns home to find that his uncle Claudius has usurped the throne and married Hamlet's recently widowed mother. Then, one night, Hamlet is visited by his father's ghost who commands him to avenge his murder at the hands of Claudius.
The story of a newly graduated Leningrad teacher, Yelena Kuzmina. She goes furniture shopping with her fiance, Petya, and in a fantasy sequence she imagines teaching a class of neat, ... See full summary »
A 1935 USA trade-paper reviewer called it... "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary boiling in the days of 1907. ... See full summary »
During the last years of Stalin's life Russian film directors had to be careful (to put it mildly) in their choice of subject matter and the historical biopic was thought an uncontroversial and fairly safe topic for the times. Shostakovich contributed musical scores to three such films; Michurin (1948) based on the life of Ivan Michurin the soviet agronomist, or more accurately on his pupil Trofim Lysenko, Belinsky (1950) on the eponymous literary critic and the earlier Pirogov (1947) on the surgeon Nikolai Pirogov.
Pirogov, directed by Grigori Kozintsev for Lenfilm and with scenario by Yuri German is, unsurprisingly given the constraints of the time, no masterpiece and its main interest now lies in its music. In common with Belinsky also directed by Kozintsev the score is generally low-key or non-existent through the film and only on two or three occasions rises to prominence in the proceedings. Those hoping for new musical experiences outside of the suite later assembled by Lev Atovmyan (Citadel CTD 88135 Belarus RTV Symphony Orchestra, Walter Mnatsakanov 1999) are likely to be disappointed, indeed the suite expands many of the musical cues finally included in the film.
For a more detailed discussion on this and other films with music by Shostakovich see Dmitri Shostakovich: A Life in Film, written by John Riley and published by I. B. Tauris, London and New York in the series Kinofiles Film Companion, 2004.
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this