Following a short investigation, the London Police charge Maddalena Paradine with the poisoning murder of her older, blind husband, retired Colonel Richard Paradine, who was dependent on her and others to manage in his life due to his physical disability. She is up front about being a woman with a past, she only becoming wealthy and thus glamorous because of the marriage. Her personal solicitor Sir Simon Flaquer refers the case to his colleague Tony Keane. In spending time with Mrs. Paradise in prison, Tony is immediately attracted to her, that attraction which morphs into obsession. As such, Tony does whatever he can to clear her of the charges, either in mounting a defense of suicide, assisted or not, or that someone else killed him, the most likely candidate being the Colonel's trusted valet, Andre Latour, with who Tony initially believes Mrs. Paradise was having an affair. In the process, Tony may be blinded to the evidence as it presents itself. Who can see what is going on is ...Written by
When Keane travels to the Paradine country home, his train is seen entering the village from the left, framed by an overhanging tree branch. When Keane departs the village, a train is shown beneath the same branch departing from the right. It's the same shot, flipped for reuse. See more »
In opening credits scroll below Ethel Barrymore: "and two new / Selznick Stars / Louis Jourdan / and / Valli". Alida Valli's name is in script form, and Jourdan had been playing leading roles in French films for several years before making "The Paradine Case". See more »
Because this movie has so few of the features normally associated with a Hitchcock picture, it has a rather poor reputation. But it has a fine cast, most of whom perform quite well, and if the story is taken on its own merits it is interesting, although slow-moving and heavily dependent on the characters' conversations with one another. If it had been made by someone else, it might seem like more of an accomplishment.
In "The Paradine Case", Mrs. Paradine (Alida Valli) is arrested and tried for the murder of her husband. She is defended by the great lawyer Anthony Keane (Gregory Peck), who quickly becomes intoxicated by his client and loses all objectivity. Even as evidence mounts that she may have done the crime after all, he risks his marriage and reputation on the slightest of chances to find new evidence. It moves quite slowly, but is helped by the presence of many good supporting characters and a fine cast that portrays them convincingly. Things come together in a lengthy courtroom sequence that is sometimes uncomfortable to watch, but tense and realistic.
Many viewers feel let down by the film because it lacks the energy and excitement found in most of Hitchcock's films, and because the courtroom setting creates expectations that are not quite filled. Indeed, it does have its faults, and it's hard to believe that someone of Hitchcock's creative genius could not have thought of some ways to give more life to the body of the picture, because there are times when it really crawls along. But taken on its own merits, it is a pretty good movie, carefully filmed as always, and one that gives the viewer plenty to think about. There are some good scenes, with the best one being the subtly crafted opening sequence of Mrs. Paradine being arrested in her elegant home and taken to prison.
Many Hitchcock fans will not particularly enjoy this one, although if you like his more somber masterpieces such as "Vertigo", you might at least want to give this one a try - not that it is nearly as good as "Vertigo" (how many films are), but it is somewhat similar in tone. It works much better as straight drama, rather than as suspense or mystery, and as such it is worth watching.
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