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Monsieur Verdoux

  • 1947
  • Passed
  • 2h 4m
IMDb RATING
7.8/10
18K
YOUR RATING
Monsieur Verdoux (1947)
A suave but cynical man supports his family by marrying and murdering rich women for their money, but the job has some occupational hazards.
Play trailer1:40
1 Video
54 Photos
ComedyCrimeDrama

A suave but cynical man supports his family by marrying and murdering rich women for their money, but the job has some occupational hazards.A suave but cynical man supports his family by marrying and murdering rich women for their money, but the job has some occupational hazards.A suave but cynical man supports his family by marrying and murdering rich women for their money, but the job has some occupational hazards.

  • Director
    • Charles Chaplin
  • Writers
    • Charles Chaplin
    • Orson Welles
  • Stars
    • Charles Chaplin
    • Mady Correll
    • Allison Roddan
  • See production, box office & company info
  • IMDb RATING
    7.8/10
    18K
    YOUR RATING
    • Director
      • Charles Chaplin
    • Writers
      • Charles Chaplin
      • Orson Welles
    • Stars
      • Charles Chaplin
      • Mady Correll
      • Allison Roddan
    • 100User reviews
    • 83Critic reviews
  • See more at IMDbPro
    • Nominated for 1 Oscar
      • 5 wins & 1 nomination total

    Videos1

    Trailer
    Trailer 1:40
    Watch Trailer

    Photos54

    Charles Chaplin and Mady Correll in Monsieur Verdoux (1947)
    Charles Chaplin, Audrey Betz, Mady Correll, Robert Lewis, Therese Lyon, and Allison Roddan in Monsieur Verdoux (1947)
    Charles Chaplin, Boyd Irwin, and Fritz Leiber in Monsieur Verdoux (1947)
    Charles Chaplin in Monsieur Verdoux (1947)
    Charles Chaplin in Monsieur Verdoux (1947)
    Charles Chaplin, Mady Correll, and Allison Roddan in Monsieur Verdoux (1947)
    Charles Chaplin in Monsieur Verdoux (1947)
    Mary Pickford, Charlie Chaplin, Ona O'Neil, at premiere of MONSIEUR VERDOUX, United Artists, 1947, **I.V.
    Mary Pickford, Charlie Chaplin, Ona O'Neil, at premiere of MONSIEUR VERDOUX, United Artists, 1947, **I.V.
    Charles Chaplin in Monsieur Verdoux (1947)
    Charles Chaplin and Martha Raye in Monsieur Verdoux (1947)
    Charles Chaplin and Martha Raye in Monsieur Verdoux (1947)

    Top cast

    Edit
    Charles Chaplin
    Charles Chaplin
    • Henri Verdoux - Alias Varnay - Alias Bonheur - Alias Floray
    Mady Correll
    Mady Correll
    • Mona Verdoux - His Wife
    Allison Roddan
    • Peter Verdoux - Their Son
    Robert Lewis
    Robert Lewis
    • Maurice Bottello - Verdoux's Friend
    Audrey Betz
    • Martha Bottello - His Wife
    Martha Raye
    Martha Raye
    • Annabella Bonheur
    Ada May
    Ada May
    • Annette - Her Maid
    • (as Ada-May)
    Isobel Elsom
    Isobel Elsom
    • Marie Grosnay
    Marjorie Bennett
    Marjorie Bennett
    • Her Maid
    Helene Heigh
    Helene Heigh
    • Yvonne - Marie's Friend
    Margaret Hoffman
    • Lydia Floray
    Marilyn Nash
    Marilyn Nash
    • The Girl
    Irving Bacon
    Irving Bacon
    • Pierre - Carlotta's Husband
    Edwin Mills
    • Jean Couvais
    Virginia Brissac
    Virginia Brissac
    • Carlotta
    Almira Sessions
    Almira Sessions
    • Lena Couvais
    Eula Morgan
    • Phoebe Couvais
    Bernard Nedell
    Bernard Nedell
    • Prefect of Police
    • (as Bernard J. Nedell)
    • Director
      • Charles Chaplin
    • Writers
      • Charles Chaplin
      • Orson Welles
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Verdoux's quote "One murder makes a villain; millions a hero" is taken from the abolitionist Bishop Beilby Porteus (1731-1808).
    • Goofs
      Although the story takes place in the years 1932-1937, all the women's fashions and hairstyles are of the 1946-1947 styles, when the film was made.
    • Quotes

      Henri Verdoux: Wars, conflict - it's all business. One murder makes a villain; millions, a hero. Numbers sanctify, my good fellow!

    • Alternate versions
      The West German theatrical version was cut by approximately 15 minutes.
    • Connections
      Featured in Shallow Hal (2001)

    User reviews100

    Review
    Review
    Featured review
    10/10
    a black comedy of manners; stunning performance from Chaplin
    It would be hard to imagine anyone else playing Monsieur Verdoux; Charlie Chaplin was the only one who could pull it off in any form or style or way that wouldn't make the character as just an unlikeable killer of women. As it's written on the page the character, if played by someone with less charisma or charm or comic timing, would just be another character actor playing a villain. But Chaplin taking the part is inspired on his part, and it's a good thing too (and I never thought I'd say this) that he didn't let Orson Welles direct. With Welles it obviously would have been a visually awesome picture, but would the comedy be the same? Or the emphasis on the social message blending in with the ultimate sanctimonious attitude of the character? It would be interesting to see Welles script, if it exists, but as it stands he's mostly a footnote in his tale, if a thankful one.

    Under Chaplin's direction and writing Monsieur Verdoux is timed with finesse and glee and with a repetitive transition of the train going by quickly with Chaplin's piano key strokes, and it's often devilish fun to hear how Chaplin's Verdoux gets around and about (or sometimes not) killing and robbing his victims. And yet, I'm inclined to say that it's above all else a triumph for Chaplin as an actor, a performer who's iconic appeal, even past the Tramp character, makes us (or at least me) almost cheer him on or feel awkward or cringing during a scene leading up to a murder, or, as does happen once or twice, not. He knows how to put on an air that's genuine, even as it's the most blatant con, and he does it with a gentleman's manner hiding his desperate-times-call-for-desperate-measures ex-bank clerk. While I wouldn't go as far as James Agee in calling it the greatest male performance ever, it might just be my favorite Chaplin performance, full of ranging subtleties and over-the-top expressions and just lingering looks of contempt and malaise and sorrow and outright lying and etc that are just a knockout.

    Monsier Verdoux is a peculiar character, as his crimes are meant to be for the good of his wife and child who, of course, have no idea of what he's really doing (in an acidic touch, his wife is also crippled). Is it wrong what he's doing? In the legal sense, of course. But Chaplin sets up a moral code for this character that makes things trickier, a little warped in thinking. If the woman has lots of wealth stored away- and maybe, as with the one who keeps getting away via wine glass and fishing trip, almost deserving in the perception of the character- why carp? But then there's the woman who's just out of prison, her husband's gone, nothing to her name, and... he just can't bear to do her in (especially, as should be noted, as a "test" run for another victim). It becomes curious to see her later on, sort of as the not-quite Chaplin heroine of the story, and how saving the right one for Verdoux is what counts, despite forgetting her until she reappears.

    So there's this twisted logic, but in the set-pieces that Chaplin sets up are some of the finest, most brilliantly timed comic moments of his career, filmed for a dark suspense tinged with a near sweetness that we know and love from him. It's satire on a level that is no more or less sophisticated than Chaplin's major silent works, and yet it's just a little sharper, more pointed at the ills of man in turmoil than a simple psychopath, all in the realm of delightful crimes in the upper class. While the end may seem derivative of the Great Dictator with a speech and message chocked forward like spray-paint on a wall, it's a mixed reaction one might have; the sanctimonious attitude, of being accepting and pointing the finger back on society, is haunting and obvious and also, importantly, speaks to the nature of the character. Would a man somewhat comfortable in his own mortality face the end any other way?
    helpful•30
    7
    • Quinoa1984
    • Jul 9, 2008

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    Details

    Edit
    • Release date
      • October 23, 1947 (Canada)
    • Country of origin
      • United States
    • Official sites
      • Instagram
      • Official Site
    • Languages
      • English
      • French
      • Latin
    • Also known as
      • A Comedy of Murders
    • Filming locations
      • Lake Arrowhead, San Bernardino National Forest, California, USA
    • Production company
      • Charles Chaplin Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $2,000,000 (estimated)
    • Gross US & Canada
      • $64,636
    • Gross worldwide
      • $65,718
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      2 hours 4 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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