At the Macy's Thanksgiving Day Parade, the actor playing Santa is discovered to be drunk by a whiskered old man. Doris Walker, the no nonsense special events director, persuades him to take his place. He proves to be a sensation and is quickly recruited to be the store Santa at the main store. While he is successful, Doris learns that he calls himself Kris Kringle and he claims to be the actual Santa Claus. Despite reassurances by his doctor that he is harmless, Doris still has misgivings, especially when she has cynically trained herself, and especially her daughter, Susan, to reject all notions of belief and fantasy. And yet, people, especially Susan, begin to notice there is something special about Kris and his determination to advance the true spirit of Christmas among the rampant commercialism around him and succeeding in improbable ways. When a raucous conflict with the store's cruelly incompetent therapist, Granville Sawyer, erupts, he finds himself held at Bellevue where, in ...Written by
Kenneth Chisholm (email@example.com)
When Kris prints he is "as old as my tongue, and a little older than my teeth", he meant he didn't have teeth as a baby. See more »
Kris' license lists one of his reindeer as Donder (Dutch for thunder), yet whenever that is spoken, the DVD captions (made 50 years after the film) show it as Donner (German translation). Both names are commonly used in popular culture. See more »
Also available in two computer colorized versions. The film was first colorized in 1985 by Color Systems Technology, Inc. and again in 2006 by Legend Films using much-improved technology. Prints came with a disclaimer: "It has been altered without the participation of the principal director, screenwriter and other creators of the original film." See more »
Twinkle, Twinkle, Little Star
From the French melody "Ah ! vous dirai-je, Maman" (published 1761)
Played when the boy is sitting on Kringle's lap See more »
Holiday Combination That Works Well
Still among the most worthwhile of the familiar holiday movies, this classic version of "Miracle on 34th Street" has a combination of cast, story, and production that works well. Maureen O'Hara, young Natalie Wood, and Edmund Gwenn would probably have carried it pretty well by themselves, and they are joined by a very good supporting cast. The screenplay is nicely done, bringing out the fantasy elements of the story without letting it become trite.
Gwenn, who played many solid character roles, gets the chance here to play a role for which he was ideally suited, and it works very well. O'Hara and Wood make a good pair to balance him out. The supporting cast gets some very good moments of their own, especially Gene Lockhart and William Frawley, whose scenes are entertaining while also offering some occasionally pointed commentary.
The style of the production is well-suited to the material, offering an innocently upbeat story without overdoing it on sentimentality. For all that this style of the production and acting are out of fashion, they are able to capture a theme like this in a worthwhile way that is simply not possible with the kind of false "sophistication" that permeates so many present-day movies.
That's not to say that this is some kind of masterpiece, which it is not and did not try to be. Instead, it's a light, enjoyable, positive movie that does make a worthwhile point or two. That kind of feature will always find an appreciative audience somewhere.
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