At the Macy's Thanksgiving Day Parade, the actor playing Santa is discovered to be drunk by a whiskered old man. Doris Walker, the no nonsense special events director, persuades him to take his place. He proves to be a sensation and is quickly recruited to be the store Santa at the main store. While he is successful, Doris learns that he calls himself Kris Kringle and he claims to be the actual Santa Claus. Despite reassurances by his doctor that he is harmless, Doris still has misgivings, especially when she has cynically trained herself, and especially her daughter, Susan, to reject all notions of belief and fantasy. And yet, people, especially Susan, begin to notice there is something special about Kris and his determination to advance the true spirit of Christmas among the rampant commercialism around him and succeeding in improbable ways. When a raucous conflict with the store's cruelly incompetent therapist, Granville Sawyer, erupts, he finds himself held at Bellevue where, in ...Written by
Kenneth Chisholm (firstname.lastname@example.org)
When Kris leaves Alfred in the cafeteria and storms into Granville Sawyer's office he has nothing in his hand. During his entire conversation with Granville his right hand is always free to gesture. The umbrella he uses to bop Granville on the head was sitting on the desk and he can be seen picking it up just before hitting Granville. See more »
Your Honor, every one of these letters is addressed to Santa Claus. The Post Office has delivered them. Therefore the Post Office Department, a branch of the Federal Governent, recognizes this man Kris Kringle to be the one and only Santa Claus.
Judge Henry X. Harper:
Uh, since the United States Government declares this man to be Santa Claus, this court will not dispute it. Case dismissed.
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Also available in two computer colorized versions. The film was first colorized in 1985 by Color Systems Technology, Inc. and again in 2006 by Legend Films using much-improved technology. Prints came with a disclaimer: "It has been altered without the participation of the principal director, screenwriter and other creators of the original film." See more »
Twinkle, Twinkle, Little Star
From the French melody "Ah ! vous dirai-je, Maman" (published 1761)
Played when the boy is sitting on Kringle's lap See more »
The Genuine Article, Still A Miracle
There's a "legend" connected with this film, one which has recently gained new life via AMC: Supposedly, upon completion of principle filmmaking, 1947's "Miracle On 34th Street" then had to be submitted to the heads of Macy's and Gimble's department stores who -- had either man withheld approval -- could have cost 20th Century Fox a small fortune in rewrites and reshootings.
Frankly, in view of the fact that much of "Miracle" had already been shot on location in Macy's New York City store (to say nothing of the fact that studio heads of that era -- or any era, for that matter -- were notoriously prone not to take such financial risks), this "legend" is likely just so much "hype," otherwise known as "nonsense."
Thankfully, this is the only trace of phoniness attached to this jewel of a movie. "Miracle On 34th Street" is just that, in every sense of the word: a miracle.
Take a perfectly-crafted, thoughtful screenplay. Add an impeccable cast (from top-to-bottom, by the way; catch, just as one example, Thelma Ritter's uncredited turn as "Peter's Mother"). Throw into this mix an on-location "shoot" (along with Macy's, there's the store's actual 1946 Thanksgiving Parade, footage in a post office facility and a courthouse) which gives this film a nice sense of verisimilitude . . . just in case you're not already prepared (courtesy of Edmund Gwenn, in a totally-deserved Oscar-winning performance) to recapture your belief in Santa Claus.
"Miracle On 34th Street" is many things: a celebration of the Christmas spirit, a heartfelt plea against the "over-commercialism" (even in 1947)of Christmas, an examination of faith itself . . . just to name a few.
It works on every level. Every bit as well today, 54 years after its initial release, as then. Don't waste your time with the remakes -- both on TV as well as theatrical productions (and the less said about an abortive 1963 Broadway musical adaptation, "Here's Love," the better.)
Go for the original film. Go for the genuine article. Again and again and again.
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