Pirdy is accident prone. He has been denied insurance from every company in town because he is always getting hit or hurt in some way. On the day that he meets the lovely Ellen of the ... See full summary »
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, ... See full summary »
A naive girl has $1,000 and is told to have two broke bookies bet it for her. They lose the money and she gets a job as a waitress. They come into the cafe and convince her to buy an Irish Sweepstake ticket.
At the turn of the century, Rose and ex-showbiz friend Molly get involved in selling steel. When they come unstuck with corsets, they embark on the even more hazardous project of selling ... See full summary »
A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The gang's leader lusts after her, and is determined not to let anything stand in the way of his having her.
Jack La Rue
In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned...Written by
Rod Crawford <email@example.com>
This was Virginia O'Brien's final starring role and the last film she made for MGM. After this she had small roles in two later films but otherwise retired from the screen. See more »
[Introducing Merton to champagne]
It's made of grapes... like fruit juice. The Frenchman that sold it to me explained the whole thing one night. We... well, ordered a boat load.
See more »
Kansas theater usher (and dramatic acting school graduate!) thwarts a robbery and is brought out to Hollywood by train in the Silent Era strictly for quick publicity; he winds up living on a park bench waiting for an acting job, and finally gets one filling in for his idol, an irresponsible star who's been hitting the bottle. Third film-version of a play by Marc Connelly and George S. Kaufman, based on Harry Leon Wilson's book, now revamped as a comedic vehicle for Red Skelton. Earliest scenes are best, with our dimply, aw-shucks hero politely scheming his way onto movie sets, with amusing results. Slapstick sequence at a high-toned Men's Club seems to belong to a different picture, although the pay-off there is also funny. Runs out of steam towards the end, however Skelton and Virginia O'Brien are a good match. Direction by former-choreographer Robert Alton is quick on its feet, and there are some big laughs in the first hour. **1/2 from ****
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