Robert Wilson leads safaris on the Kenyan savanna. On this occasion, he takes Mr. and Mrs. Macomber out to hunt buffalo. The obnoxious ways of Margaret Macomber make the three of them get ...
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In San Francisco in 1850, a Russian Countess runs away from an arranged marriage to a Russian Prince and falls into the arms of an American sea captain who occasionally poaches seals in Russian Alaska.
A young priest, Father Chisholm is sent to China to establish a Catholic parish among the non-Christian Chinese. While his boyhood friend, also a priest, flourishes in his calling as a ... See full summary »
John M. Stahl
A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
Robert Wilson leads safaris on the Kenyan savanna. On this occasion, he takes Mr. and Mrs. Macomber out to hunt buffalo. The obnoxious ways of Margaret Macomber make the three of them get on each others nerves. During the hunt Francis Macomber is shot by his wife. An accident or an attempt to get rid of Francis?Written by
Incorrectly regarded as a goof: viewers have frequently cited the spear sticking out of the dying lion's side as a goof. The lion is killed when Robert Wilson shoots it with a rifle, however, one of the Kenyan guides throws a spear at the lion as it charges. Even though the lion is brought down by by Wilson's bullet, the spear from the guide's throw is still lodged in the animal's side. See more »
This Zoltan Korda adaptation of Hemingway's bitter tale of big game hunting and marital infidelity is the best movie adaptation of this author's work I have ever seen. Only Gregory Peck seems miscast in what is basically a Trevor Howard part, but this doesn't bring the movie down, it merely limits it. As the superficially charming, boyish, gregarious and basically not very nice Macomber, Robert Preston is brilliant, and he gives a daring, emotionally open performance. Joan Bennett is good as his wife, better than Peck but not perfect casting, either. What makes the movie work is its nasty story, and Casey Robinson's excellent and correct interpretation of it. The Hemingway mood, macho and misogynist, and misanthropic more than anything else, is caught to such perfection one might almost suspect that he was technical adviser (he wasn't). British East Africa is given the Tarzan treatment on screen, typical of the forties but for some difficult to take now. I find that it works, as Tarzan and Hemingway weren't a million miles apart in temperament and values, though I imagine that Tarzan was nicer fellow to get along with.
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