A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After ...
See full summary »
Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
Alvah, a young GI who happens to own a vineyard, elopes to Las Vegas with Lee, his housekeeper's daughter. But Alvah's chicken pox postpone the wedding night. The rest revolves around more ... See full summary »
In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
Julia Ross secures employment, through a rather nosy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. 2 days later, she awakens - in a different house, ... See full summary »
A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After a dancer disappears, the police enlist an American friend of hers, Sandra Carpenter, to answer advertisements in the personal columns, and lure the killer.Written by
David Levene <D.S.Levene@durham.ac.uk>
When Sandra goes to visit Julian towards the end of the movie, they have a conversation, and when Julian says, "That's why he chose death," you can see that Sandra is saying something we don't hear. See more »
For a serial killer film, this one must rank as the most reserved and dignified ever made. No blood nor gore, just urbane and sophisticated dialogue throughout, and especially from the killer, plus a bit of very enjoyable George Sanders-Lucille Ball romantic wit. Perhaps all victims die without bleeding/suffering/discomfort in meddy old England? "In England, we musn't dirty our hands while killing, musn't we?" But, that was typical of the bloodless killings of crime movies of that time.
George Sanders as a good guy was a total waste here. He is at his best as a witty, sarcastic and selfish cad, which he was somewhat at the start but then soon lost his lust and fell hard for Ms Ball, at which time he lost my interest as he became just another central casting rich guy in love. Unfortunate decision by the studio, as he would have been much better using more of his well known crackling wit.
As a result, Charles Coburn and Cedric Hardwicke were the best things in this film, after the radiant and gorgeous Lucille Ball. Coburn had most of the best dialogue, and came off as a brilliant mix of the philosophical and practical. The methodical way he discovered the killer was a bit long in coming, but interestingly effective overall.
The film needed editing and story tightening to eliminate a lot of the too-long and languid story development dragginess that held it back from being one of the better mystery flicks I've seen over the years. I still give it a 7 out of 10, mainly for quality of dialogue and acting.
26 of 43 people found this review helpful.
Was this review helpful to you?
| Report this