On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by ... See full summary »
Life on a British bomber base, and the surrounding towns, from the opening days of the Battle of Britain, to the arrival of the Americans, who join in the bomber offensive. The film centres... See full summary »
Seriously ill, concert pianist Karen Duncan is admitted to a Swiss sanitorium. Despite being attracted to Dr Tony Stanton she ignores his warnings of possibly fatal consequences unless she ... See full summary »
André De Toth
This movie is based on a true story as written in A.P. Scotland's autobiography "The London Cage". The plot has greatly exaggerated the actual events of A.P. Scotland's experiences, including the addition of a fictional love interest.
In 1902 London, unhappily married Philip Marshall meets young Mary Gray, who is unemployed and depressed. Their deepening friendship, though physically innocent, is discovered by Philip's ... See full summary »
A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
In a long flashback, a New York publisher is in Venice pursuing the lost love letters of an early-19th-century poet, Jeffrey Ashton, who disappeared mysteriously. Using a false name, Lewis Venable rents a room from Juliana Bordereau, once Jeffrey Ashton's lover, now an aged recluse. Running the household is Juliana's severe niece, Tina, who mistrusts Venable from the first moment. He realizes all is not right when late one night he finds Tina, her hair unpinned and wild, at the piano. She calls him Jeffrey and throws herself at him. The family priest warns Venable to tread carefully around her fantasies, but he wants the letters at any cost, even Tina's sanity.Written by
Henry James based the story on an anecdote he had heard when he was in Florence, Italy, in 1879. "Claire" Clairmont, the half-sister of Percy Bysshe Shelley's wife Mary Shelley and the mother of Lord Byron's daughter Allegra, was still alive and related how an unscrupulous Shelley devotee had posed as a lodger in order to find any unpublished papers. After the aged Claire died, her niece offered the papers to him, but at a price. See more »
When Lewis rescues Juliana from the fire, Juliana's stunt double can be seen grabbing onto Lewis and helping him carry 'her' out. See more »
In that fearfully incredible moment I knew I had plunged off a precipice into the past. That here was Juliana beyond belief, beautiful, alluring, alive. How strange this was, this Tina, who walked dead among the living and living among the dead, filling me with a nameless fear! I had a sudden impulse to turn and leave, and then I remembered the letters.
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This little film is bursting with atmosphere, brooding, wistful, corrupt, overflowing with decay, betrayal and regret. A studio better known for its westerns and horror movies is here responsible for a major gem of delicacy and suggestion.
What makes all this remarkable is that the screenplay is a classic example of Hollywood's idiotic dumbing-down of a major work of fiction, Henry James's novella "The Aspern Papers" (based in turn on the life of Lord Byron). To compare James's brief story with the film is so sad it's almost painful, yet the movie survives and succeeds through sensitive style and sturdy professionalism.
The studio sets are evocative of a time before Venice became an international theme park, and the director's experience in radio drama provides a more finely-judged soundtrack than was the norm.
If your nerve-endings are not already terminally blunted through today's cinematic overkill, this film will prove richly rewarding.
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