Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
Madeleine Damien is the fashion editor of a slick Manhattan magazine by day and a lively party girl by night. Unfortunately, the pressures of her job, including kowtowing to a hefty ... See full summary »
In a long flashback, a New York publisher is in Venice pursuing the lost love letters of an early-19th-century poet, Jeffrey Ashton, who disappeared mysteriously. Using a false name, Lewis Venable rents a room from Juliana Bordereau, once Jeffrey Ashton's lover, now an aged recluse. Running the household is Juliana's severe niece, Tina, who mistrusts Venable from the first moment. He realizes all is not right when late one night he finds Tina, her hair unpinned and wild, at the piano. She calls him Jeffrey and throws herself at him. The family priest warns Venable to tread carefully around her fantasies, but he wants the letters at any cost, even Tina's sanity.Written by
Henry James first published "The Aspern Papers" in the March-May editions of "The Atlantic Monthly". In the original story the heroine's name was Tita. In later editions of the story James changed the name to Tina. See more »
When Lewis rescues Juliana from the fire, Juliana's stunt double can be seen grabbing onto Lewis and helping him carry 'her' out. See more »
This little film is bursting with atmosphere, brooding, wistful, corrupt, overflowing with decay, betrayal and regret. A studio better known for its westerns and horror movies is here responsible for a major gem of delicacy and suggestion.
What makes all this remarkable is that the screenplay is a classic example of Hollywood's idiotic dumbing-down of a major work of fiction, Henry James's novella "The Aspern Papers" (based in turn on the life of Lord Byron). To compare James's brief story with the film is so sad it's almost painful, yet the movie survives and succeeds through sensitive style and sturdy professionalism.
The studio sets are evocative of a time before Venice became an international theme park, and the director's experience in radio drama provides a more finely-judged soundtrack than was the norm.
If your nerve-endings are not already terminally blunted through today's cinematic overkill, this film will prove richly rewarding.
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