Kiss of Death (1947)

Nick Bianco is caught during a botched jewellery heist. The prosecution offer him a more lenient sentence if he squeals on his accomplices but he doesn't roll over on them. Three years into the sentence an event changes his mind.

Director:

Henry Hathaway

Writers:

Ben Hecht (screenplay), Charles Lederer (screenplay)

Stars:

Victor Mature, Brian Donlevy, Coleen Gray

Nominated for 2 Oscars. Another 2 wins.

Cast

Complete credited cast:
Victor Mature	...	Nick Bianco
Brian Donlevy	...	Assistant D.A. Louis D'Angelo
Coleen Gray	...	Nettie
Richard Widmark	...	Tommy Udo
Taylor Holmes	...	Earl Howser--Attorney
Howard Smith	...	Warden
Karl Malden	...	Sgt. William Cullen
Anthony Ross	...	'Big Ed' Williams

Storyline

Small-time crook Nick Bianco gets caught in a jewel heist and despite urgings from well-meaning district attorney D'Angelo, refuses to rat on his partners and goes to jail, assured that his wife and children will be taken care of. Learning that his depressed wife has killed herself, Nick informs on his ex-pals and is paroled. Nick remarries, gets a job and begins leading a happy life when he learns one of the men he informed on, psychopathic killer Tommy Udo, has been released from custody and is out for revenge against Nick and his family.

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Plot Keywords:

district attorney | prison | stolen jewellery | new york city | evil laugh | 

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Taglines:

From her lips there is no escape!

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Genres:

Crime | Drama | Film-Noir | Thriller

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

September 1947 (USA)

Also Known As:

Stoolpigeon

Filming Locations:

New York City, New York, USA

Box Office

Budget:

$1,520,000 (estimated)

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

99 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

When New York mobster Joe Gallo--a vicious killer known as "Crazy Joe"--was starting out as a small-time hoodlum, he saw this movie and instantly idolized Tommy Udo (Richard Widmark). Afterwards, Gallo began wearing his suits with black shirts and white ties in emulation of Udo. He also began acting in a more crazed manner, thus giving rise to his "Crazy Joe" persona, which lasted until the gangster's death in 1972, when he was murdered by rival gangsters in Umberto's Clam House in Little Italy.

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Goofs

While talking to convict Nick Bianco (Victor Mature) the Prison's Warden (Howard Smith) calls him "D'Angelo" ; which was the name of the Assistant District Attorney (Brian Donlevy).

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Quotes

Nettie: Nick Bianco hadn't worked for a year. He had a record - a prison record. They say it shouldn't count against you but when Nick tried to get a job the same thing always happened: "Very sorry." No prejudice, of course, but no job either. So this is how Nick went Christmas shopping for his kids.

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Alternate Versions

For the theatrical release in Manitoba, the shot of the woman in the wheelchair going down the staircase had to be shortened.

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Connections

Featured in At the Movies: Villains: So Bad, They're Good (1995)

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Soundtracks

Street Scene
(uncredited)
Music by Alfred Newman

User Reviews

Good crime drama

This film is "required reading" in the study of gangster films, mostly because of Richard Widmark's exceptional and truly frightening performance as Tommy Udo. Interestingly enough, 43 years later, actor Joe Pesci would also terrify movie audiences with his portrayal of another psychopathic gangster, who also had the rather benign name of 'Tommy'. However, unlike Pesci, Widmark never had another particularly memorable gangster role after this one.

While a lot of the story is realistic, some of it is far-fetched - mainly, the end. Only a complete lunatic would even think of walking into the headquarters of a gangster that he had just testified against and expect to come out alive. However, the tension in that restaurant confrontation scene is effective, and I suppose for the era in which this film was made, it was necessary to have the 'good hero' face down the 'bad bully' and put him in his place. In reality, of course, it just doesn't happen that way in the world of crime.

But what makes this film is Widmark, and to give an idea of just how effective he was, when this film first came out, a real-life NYC mobster(Joey Gallo) would watch it and earnestly try to imitate Widmark's style and mannerisms, thereby enhancing his own skill in intimidating others. As they say, imitation is the sincerest form of flattery.