Germany Year Zero (1948)
Germania anno zero (original title)Reference View | Change View
- Not Rated
- 1h 18min
- Drama
- 19 Sep 1949 (USA)
- Movie
A young German boy faces the problems of the tough life in the immediate post-WWII Berlin.
Director:
Awards:
- 3 wins.
- See more »
Photos and Videos
Cast verified as complete
Edmund Moeschke | ... |
Edmund Köhler
(as Edmund Meschke)
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Ernst Pittschau | ... |
Herr Koehler - Il padre
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Ingetraud Hinze | ... |
Eva
(as Ingetraud Hinz)
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Franz-Otto Krüger | ... |
Karl-Heinz
(as Franz Grüger)
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Erich Gühne | ... |
Il maestro
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Rest of cast listed alphabetically: | |||
Heidi Blänkner | ... |
Frau Rademaker (uncredited)
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Jo Herbst | ... |
Jo (uncredited)
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Barbara Hintz | ... |
Thilde (uncredited)
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Adolf Hitler | ... |
Self (uncredited) (archiveFootage) (voice)
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Karl Krüger | ... |
Il medico (uncredited)
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Alexandra Manys | ... |
Amica di Eva (uncredited)
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Christl Merker | ... |
Christl (uncredited)
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Gaby Raak | ... |
La donna di generale (uncredited)
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Inge Rocklitz | ... |
Rifugiata (uncredited)
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Hans Sangen | ... |
Herr Rademaker (uncredited)
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Babsi Schultz-Reckewell | ... |
La figlia di Rademacher (uncredited)
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Franz von Treuberg | ... |
Il generale von Laubniz (uncredited)
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Directed by
Roberto Rossellini |
Written by
Roberto Rossellini | ... | (screenplay) |
Roberto Rossellini | ... | (dialogue) and |
Carlo Lizzani | ... | (dialogue) and |
Max Kolpé | ... | (dialogue) (as Max Colpet) |
Sergio Amidei | ... | () |
Basilio Franchina | ... | (based on an idea by) (uncredited) |
Produced by
Salvo D'Angelo | ... | associate producer |
Alfredo Guarini | ... | executive producer |
Roberto Rossellini | ... | producer |
Music by
Renzo Rossellini |
Cinematography by
Robert Juillard | ... | (as Robert Julliard) |
Editing by
Eraldo Da Roma |
Art Direction by
Piero Filippone |
Production Management
Marcello Bollero | ... | production supervisor |
Alberto Manni | ... | production supervisor |
Alfredo Guarini | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Max Kolpé | ... | assistant director (as Max Colpet) |
Carlo Lizzani | ... | assistant director |
Franz von Treuberg | ... | assistant director (uncredited) |
Sound Department
Alessandro Biancani | ... | audio restorer |
Kurt Doubrowsky | ... | sound technician (as Kurt Doubrawsky) |
Camera and Electrical Department
Jacques Robin | ... | camera operator |
Emil Puet | ... | camera operator (uncredited) |
Music Department
Edoardo Micucci | ... | musical director |
Additional Crew
Vincenzo Genesi | ... | laboratory technician (as V. Genesi) |
Giancarlo Campidori | ... | production secretary (uncredited) |
Charles Clement | ... | subtitler: English (uncredited) (1949 release) |
Sonya Friedman | ... | subtitler (uncredited) |
Ivo Garrani | ... | italian voice dubbing: Ernst Pittschau (uncredited) |
Flaminia Jandolo | ... | italian voice dubbing: Edmund Moeschke (uncredited) |
Thanks
Marco Romano Rossellini | ... | dedicatee (as Mio figlio Romano) |
Production Companies
- Tevere Film
- SAFDI
- Union Générale Cinématographique (UGC)
- Deutsche Film (DEFA) (technical production)
Distributors
- G.D.B. Edizione Noleggio Film (1948) (Italy) (theatrical)
- Fincine (1948) (Italy) (theatrical)
- L'Alliance Générale de Distribution Cinématographique (1949) (France) (theatrical)
- Superfilm Distributing Corporation (1949) (United States) (theatrical) (English subtitles)
- Terrafilm (1949) (Sweden) (theatrical)
- Kelo Filmi (1951) (Finland) (theatrical)
- MacMillan Films Inc. (1978) (United States) (theatrical) (new English subtitles)
- Rai 1 (1986) (Italy) (tv)
- Koch Media (2006) (Germany) (DVD)
- The Criterion Collection (2010) (United States) (DVD)
- Coproduction Office (2026) (World-wide)
- Cinémathèque Suisse (2012) (Switzerland) (theatrical)
- Arthaus (2012) (Germany) (DVD)
- Classic Films Distribución (2015) (Spain) (theatrical)
- Films sans Frontières (2015) (France) (theatrical) (re-release)
- BFI Video (2015) (United Kingdom) (DVD)
- Leopardo Filmes (2015) (Portugal)
- Rare Films and More (2016) (United States) (DVD) (English sub-titles)
- Topanga Canyon Films (2018) (Spain)
- Vídeo Mercury Films (Spain)
Special Effects
Other Companies
- Ricordi (music published by)
- Stabilimenti Titanus S.A. (post-production and dubbing facilities)
Storyline
Plot Summary |
Edmund, a young boy who lives in war-devastated Germany after the Second World War, must do all kinds of work to help his family get food and survive. One day he meets one of his former teachers and hopes to get support from him, but this man's ideas don't lead Edmund into a clearer or safer way of living.
Written by Hugo |
Plot Keywords | |
Taglines | The country is obliterated, the buildings are dilapidated and the people are desolated. See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Official Sites | |
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Filming Locations |
Did You Know?
Trivia | Exteriors were shot in Germany, while all interiors were shot on a sound stage in Rome. When the German actors arrived in Rome, they ate pasta in abundance, something which the current economics of Germany could not afford. The German actors gained weight and shooting had to be postponed until they slimmed down to their original weights. See more » |
Goofs | When the father's coffin is taken away in a truck; there are five people consisting of family and friends running after the truck. The position as they run is first Karl-Heinz, then a male companion, then Eva is close behind the male companion, and staggering well behind are two women. However when it cuts to a mid-shot; Eva now ends up much further back in the fourth position. See more » |
Movie Connections | Edited into La monnaie de l'absolu (1999). See more » |
Quotes |
Narrator:
This movie, shot in Berlin in the summer of 1947 aims only to be an objective and true portrait of this large, almost totally destroyed city where 3.5 million people live a terrible, desperate life, almost without realizing it. They live as if tragedy were natural, not because of strength or faith, but because they are tired. This is not an accusation or even a defense of the German people. It is an objective assessment. Yet if anyone, after watching Edmund Koeler's story, feels that something needs to be done-that German children need to relearn to love life-then the efforts of those who made this movie will be greatly rewarded. See more » |