Irene Girard is an ambassador's wife and used to living in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in need ... See full summary »
Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
Paola, a Milan call girl, returns home to her village in an attempt to go straight. Rejected by her father, blackmailed by a former lover, and lusted after by her brother-in-law, she turns to her beloved sister for support.
Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he meets a man who used to be one of his teachers in school and hopes to get support from him, but the ideas of this man do not lead Edmund in a clearer or safer way of living...Written by
On the occasion of the projection of this film in the Brussels Royal Filmmuseum (recently restyled as "Cinematek.be") on September 7th 1997, the program quoted Belgian filmmaker Henri Storck (1907-1999): "It is a well guarded secret, but during the filming in Berlin Marlene Dietrich - desperately in love - was Rossellini's secretary, typist and translator". See more »
Eva, they're cutting the power.
The power? Why?
They discovered someone was stealing it.
Rademaker says it was us.
So that's what he was screaming about.
That black marketer. One day I'll smash his head.
You're such a big talker, but when it comes to helping us, you do nothing.
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An intricate web was weaved with the lives of post World War Two's deprived people amongst the reins of Berlin, Germany and that of mans ultimate struggle for survival. That web is the work of Italian film maker, Roberto Rossellini. His final installation of the war trilogy, beginning with Open City (1945), follow by Paisà (1946), ended with an amazing expression of talent from behind the camera and in front. What is not to be forgotten from the film Germany Year Zero (1947-8) is that time in history when people lived `as if tragedy was natural'. We watch as the social infection of survival of the fittest works its way into the life of a twelve year old, German boy named Edmund Koeler (played by Edmund Moeschke). The challenge of survival begins its grip on young Edmund as a result of dealing with life in post-war consequences. The simply desperate life of Edmund and his family was further brought to life with the cinematography that gives shape to the psychological states of it characters through stylized visuals land marking the film noir derived from German expressionism. Along with several dehumanizing high angle shots, the shadowy look into this family's life makes for a powerful film, as well as a powerful message.
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