Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he meets a man who used to be one of his teachers in school and hopes to get support from him, but the ideas of this man do not lead Edmund in a clearer or safer way of living...Written by
I have no work, and neither does Eva. My brother still won't report and get his card.
I understand, but what can I do?
My father needs treatment. Can't you help me? What can I do?
There's nothing you can do. Times are hard for everyone, worse for weak and old people. You've done all you can.
But what if he dies?
If he dies, he dies. We all die sooner or later. Would you rather die yourself or let an old man live?
See more »
Neorealist view of post-war Germany, provided through the experiences of a 12-year-old boy
This film was without a doubt one of the most difficult films I have ever seen. The directing is very much Neorealist, and as such presents a very objective view of the devastation in post-war Germany and the lives of the people therein. I experienced what the characters went through, and grew numb and tired of the harsh reality of such a ravaged world right along with them. In the character of Edmund (main character) is presented a dark individual fallen victim to the consequences of war within a country, and as I as the audience witnessed the desperation of his life I was, dare I say, almost forced to disconnect myself from the experience. Disconcerting on a masterful level. I highly recommend this movie to anyone interested in being probed to examine and challenge their natural response to tragedy.
10 of 13 people found this review helpful.
Was this review helpful to you?
| Report this