A reporter pretends to be Jewish in order to cover a story on anti-Semitism, and personally discovers the true depths of bigotry and hatred.


Elia Kazan


Laura Z. Hobson (novel), Moss Hart (screen play)
Won 3 Oscars. Another 9 wins & 8 nominations. See more awards »





Complete credited cast:
Gregory Peck ... Philip Schuyler Green
Dorothy McGuire ... Kathy Lacy
John Garfield ... Dave Goldman
Celeste Holm ... Anne Dettrey
Anne Revere ... Mrs. Green
June Havoc ... Elaine Wales
Albert Dekker ... John Minify
Jane Wyatt ... Jane
Dean Stockwell ... Tommy Green
Nicholas Joy ... Dr. Craigie
Sam Jaffe ... Prof. Fred Lieberman
Harold Vermilyea ... Lou Jordan
Ransom M. Sherman Ransom M. Sherman ... Bill Payson


Philip Green is a highly respected writer who is recruited by a national magazine to write a series of articles on anti-Semitism in America. He's not too keen on the series, mostly because he's not sure how to tackle the subject. Then it dawns on him: if he was to pretend to all and sundry that he was Jewish, he could then experience the degree of racism and prejudice that exists and write his story from that perspective. It takes little time for him to experience bigotry. His anger at the way he is treated also affects his relationship with Kathy Lacy, his publisher's niece and the person who suggested the series in the first place. Written by garykmcd

Plot Summary | Plot Synopsis


Drama | Romance


Not Rated | See all certifications »

Parents Guide:

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Did You Know?


In the scene where Phil (Gregory Peck) goes to check on his mother (Anne Revere) after she suffers a mild heart attack, she says, "No need to look like 'Hamlet,' I feel wonderful." The picture won the Best Picture Oscar of 1947, and Sir Laurence Olivier's "Hamlet (1948)" won the Best Picture Oscar of 1948. See more »


When the family are having breakfast at the start of the film, at one point Tommy is about to bring a spoonful of cereal to his mouth. However, in the shot right afterwards he dips it into the bowl again. See more »


Phil Green: What makes you say that?
Bert McAnny: Oh, I don't know. You just seem like... a clever sort of guy.
Phil Green: What makes you think I wasn't a G.I.?
Bert McAnny: What? Now, Green, don't get me wrong. Why, some of my best friends are Jews.
Anne Dettrey: And some of your other best friends are Methodists, but you never bother to say that.
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Crazy Credits

The main title theme begins with the Fox logo, replacing the usual Alfred Newman fanfare. See more »


Referenced in The Holiday (2006) See more »


Street Scene
Composed by Alfred Newman
Played during opening scene
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User Reviews

Very solid, preachy yes, but important stuff to continually face
4 June 2010 | by secondtakeSee all my reviews

Gentleman's Agreement (1947)

A "gentleman's agreement" is a euphemism for a polite, unspoken act of racial bigotry. Yes, a sort of wink to not allow blacks or hispanics or Jews into a certain resort or club or restaurant.

That's the real point of the movie. Not hard core racism or prejudice, but that subtle stuff, the stuff that goes on every day even now. And ultimately, it is aimed at the people who say, "I'm not prejudiced," and yet who let other people wink and act like polite bigots.

There is a lot of background to the movie, in the making and acceptance of it in the industry and in the country (in short, Hollywood insiders avoided the idea and the public liked it). But the main point is how the movie works and plays out as a story, then (in our heads) and now (on the screen).

The answer? Very well. Yes, it's "preachy" of course. Of course! That's what a message movie does. But does it do it well? Yes, but it does mean there is a lot of talking. The key talker and thinker is main character, goy journalist Phil Green, played by Gregory Peck. He struggles out loud through how to approach an article he has to do on anti-Semitism with his mom, and then struggles through the actual highly veiled anti-Semitism of his potential wife, played by Dorothy McGuire. We know they are made for each other, but McGuire's character just can't quite get how her "looking the other way" or "feeling outrage" isn't enough.

The real acting gem is by Celeste Holm, who plays a sidekick, another writer, and someone who audiences probably want to see with Mr. Green because she has innate principles and the guts to show them. (She won an Oscar, too!) John Garfield, who was Jewish, plays an openly Jewish character in a deliberately restrained role as a returning G.I. It's 1947, and the country that has helped to save the remaining Jews in concentration camps is now wondering how to "save" them at home from internal barriers.

It might have been a mistake to set the movie in New York City, which was over a quarter Jewish at the time and probably had more familiarity with assimilation and difference than the movie implies (especially at the publisher's). But the scenes in stuff Connecticut make more sense. There is the love plot pushed on the whole thing, and the weirdly perfect house that was built and decorated but never lived in as if that's the future, waiting and ready. And yes, there is all the talking and moralizing.

But give director Elia Kazan credit for making this as fluid and involving as he has, and cinematographer Arthur Miller's beautiful post-War visuals hold up that end of the experience really well. And you know what, the "lessons" built into this kind of "message" film are worth sitting through because we all need reminders of how insidious our own prejudices can be, and how we need to constantly address them, openly.

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Release Date:

March 1948 (USA) See more »

Also Known As:

Laura Z. Hobson's Gentleman's Agreement See more »

Filming Locations:

New York City, New York, USA See more »


Box Office


$1,985,000 (estimated)
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Company Credits

Production Co:

Twentieth Century Fox See more »
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Technical Specs


Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
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