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The Fugitive (1947)

Approved | | Drama, History | 27 March 1948 (Mexico)
Anti-Catholic and anti-cleric policies in the Mexican state of Tabasco lead the revolutionary government to persecute the state's last remaining priest.

Directors:

John Ford, Emilio Fernández (uncredited)

Writers:

Dudley Nichols (screenplay), Graham Greene (novel)
Reviews
1 win & 2 nominations. See more awards »

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Cast

Complete credited cast:
Henry Fonda ... A Fugitive
Dolores del Rio ... An Indian Woman (as Dolores Del Rio)
Pedro Armendáriz ... A Lieutenant of Police (as Pedro Armendariz)
J. Carrol Naish ... A Police Informer
Leo Carrillo ... A Chief of Police
Ward Bond ... El Gringo
Robert Armstrong ... A Sergeant of Police
John Qualen ... A Refugee Doctor
Fortunio Bonanova ... The Governor's Cousin
Chris-Pin Martin ... An Organ-Grinder (as Cris-Pin Martin)
Miguel Inclán ... A Hostage (as Miguel Inclan)
Fernando Fernández ... A Singer (as Fernando Fernandez)
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Storyline

Based of the Graham Greene novel about a revolutionary priest in Central America. A priest who is The Fugitive is trying to getaway from the authorities who have denounced Christianity and want anyone linked to it dead. The Fugitive finds shelter with an Indian Woman (The Woman), a faithful parishioner, who gives the priest directions to Puerto Grande, where he could then board a ship and sail to freedom in America. On his journey to Puerto Grande, he meets up with a man who says he will protect him. In reality, he is the Police Informer and once The Fugitive realizes this, he is back on the run, but the Police Informer is never far behind along with the authorities. Written by Kelly

Plot Summary | Add Synopsis

Taglines:

Peril-Laden adventure ... of a man's desperate plight !

Genres:

Drama | History

Certificate:

Approved | See all certifications »
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Details

Country:

Mexico | USA

Language:

English

Release Date:

27 March 1948 (Mexico) See more »

Also Known As:

The Labyrinthine Ways See more »

Filming Locations:

Mexico

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Box Office

Budget:

$1,500,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Based on the novel, The Power and the Glory (1940), by Graham Greene See more »

Quotes

A Refugee Doctor: Oh, don't be so hard on yourself. A man is entitled to a little pride.
A Fugitive: Not in my profession.
See more »

Connections

Referenced in Dangerous Edge: A Life of Graham Greene (2013) See more »

Soundtracks

Bury Me Not on the Lone Prairie
("The Dying Cowboy") (uncredited)
American folk ballad based on an older sea song (1932)
Variation heard as theme for the Gringo (Ward Bond)
See more »

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User Reviews

 
The Gospel According to John Ford
29 April 2010 | by luisguillermoc3See all my reviews

With the important Mexican team that did the most famous films of director Emilio Fernandez ("Flores Silvestres", "Maria Candelaria", "Las Abandonadas" ...): Dolores del Rio, Pedro Armendariz and cinematographer Gabriel Figueroa, based on work Graham Greene's "The Power and the Glory" outstanding writer and an actor of the caliber of Henry Fonda for the leading role, everything seemed to assume that it would result in another great drama like that in the 30s and early 40s we had given the remarkable director John Ford.

The story begins with a perfect plane: after wandering a good trip, Henry Fonda comes to the doors of a church in a altosano. When you open the doors, we see from the inside and then pushes the wings leaving a cone of light entering from outside. He stops for a moment with arms outstretched and thus draws a significant cross that serves as a signal to understand that we are facing another martyr. Then his personality is revealed and we know that is a priest, a fugitive from an authoritarian system that pursues anti-clerical.

And then guess the first flaw of the script by Dudley Nichols: Spend a long time before we see a significant gesture that motivates us affection and empathy with the priest or to explain that it is unjust persecution that is being targeted. In addition, certain to appease the church, the writer removes all characters in the work of Greene, recreating the priest as an earthly man, and prefers to characterize it as a man who does not break an egg and is left to manipulate the whole who wants to do. ¡Pure fiction!

Credits, to emphasize the universality of history are made in the manner of Chaplin: Henry Fonda... a fugitive, Dolores del Rio... an Indian woman, Pedro Armendáriz... a lieutenant… And soon we realize: It is neither more nor less than the story of Jesus, moved to the 40s of the twentieth century, which is telling us. Of course! María Dolores is none other than Mary Magdalene and the bounty is the same Judas. The triangle of Nazareth to the mero mero.

Unless the pertinent images Figueroa, nothing relevant that this film offers us nothing in surface waters and quite sugary.


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