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A Double Life (1947)

Approved | | Crime, Drama, Film-Noir | 1948 (Turkey)
Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, ... See full summary »

Director:

George Cukor
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Won 2 Oscars. Another 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ronald Colman ... Anthony John
Signe Hasso ... Brita Kaurin
Edmond O'Brien ... Bill Friend
Shelley Winters ... Pat Kroll
Ray Collins ... Victor Donlan
Philip Loeb Philip Loeb ... Max Lasker
Millard Mitchell ... Al Cooley
Joe Sawyer ... Ray Bonner
Charles La Torre Charles La Torre ... Stellini
Whit Bissell ... Dr. Stauffer
John Drew Colt John Drew Colt ... Stage Manager
Peter M. Thompson Peter M. Thompson ... Asst. Stage Manager (as Peter Thompson)
Elizabeth Dunne Elizabeth Dunne ... Gladys
Alan Edmiston Alan Edmiston ... Rex
Art Smith ... Wigmaker
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Storyline

Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, it's terrible to be around him. That's the reason why his wife Brita divorced him; although she still loves him and works with him, she couldn't stand living with him anymore. So when Anthony accepts to play Othello, he devotes himself entirely to the part, but it soon overwhelms him and with each day his mind gets filled more and more with Othello's murderous jealousy. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Film-Noir

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | Swedish

Release Date:

1948 (Turkey) See more »

Also Known As:

The Art of Murder See more »

Company Credits

Production Co:

Kanin Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Milt Harker, the manager of the Los Angeles office of the International News Service, served as technical advisor on the newspaper coverage scenes. See more »

Goofs

From all appearances during the opening sequence, Anthony John's new comedy is just opening on Broadway - deliverymen carry a fresh sign into the lobby covered with blurbs from rave reviews, leading lady is asked to look at new publicity photos and theater is packed during scene from play. But suddenly, it's revealed that this play has been running a year and is actually about to close. In reality, virtually all plays close due to dwindling attendance (and don't have SRO audiences in last days, as does this one) nor do producers waste money on advertising and publicity on productions that have already posted closing notices, as appears to be the case here since actors are already discussing their next jobs. See more »

Quotes

Pat Kroll: I like you, you know.
Anthony John: Now I do.
Pat Kroll: You gonna say you like me?
Anthony John: Later.
Pat Kroll: Oh thanks. You gonna tell me your name?
Anthony John: As soon as I know it myself, yes.
Pat Kroll: Oh don't give me that. I've handled lines all my life.
Anthony John: [amused] So have I!
Pat Kroll: Say, what's so funny?
Anthony John: It's nothing. It's a private joke between me and me
See more »

Crazy Credits

Opening credits appear against a theatre image with stage curtain. See more »

Connections

Referenced in Private Screenings: Robert Osborne (2014) See more »

Soundtracks

Opus 10 No. 3 in E Major
(1829-32) (uncredited)
Written by Frédéric Chopin
Played a bit on piano by Brita
See more »

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User Reviews

Certainly a hidden gem.....
13 March 2001 | by dmkuehnSee all my reviews

I was astonished at how good this picture was - Ronald Colman's scenery chewing was great, as well as the script and all supporting performances, as well as it being one of George Cukor's better but least seen works. It is a very disquieting film, almost in a Hitchcockian sort of way, and perhaps that accounts for its obscurity. Besides, an early Shelley Winters film is all right by me (carumba!) Hopefully you can find a better print than the one I saw on cable which looked like it was culled from a 16mm positive. C'mon, film preservationists, get on it!


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