Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart's-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he's really after is revenge. Written by
Mark Thompson <firstname.lastname@example.org>
Two Of A Kind ! Tough . . . Torrid . . . Terrific !
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Did You Know?
When Vincent/Allan is at Madge's apartment, at one point we see Madge sit on top of a pillow on the floor right in front of Vincent/Allan. A couple minutes later we see Vincent/Allan get up. When the camera turns back to Madge, she is now sitting on the couch which was about 3 feet behind her. See more
[Vincent meets a discredited plastic surgeon
Dr. Walter Coley
Ever see any botched plastic jobs? If a man like me didn't like a fellow... he could surely fix him up for life. Make him look like a bulldog, or a monkey. I'll make you look as if you've lived.
I have, Doc.
Music by Vincent Rose
(based on "E lucevan le stelle" in the opera "Tosca" by Giacomo Puccini
Played on the car radio at the beginning See more