Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart's-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he's really after is revenge.
Mark Thompson <firstname.lastname@example.org>
TOGETHER AGAIN! (original one-sheet poster)
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Did You Know?
After Parry's bandages are removed, there are no stitches, bruises or facial swelling that always accompany plastic surgery. See more
[Vincent meets a discredited plastic surgeon
Dr. Walter Coley
Ever see any botched plastic jobs? If a man like me didn't like a fellow... he could surely fix him up for life. Make him look like a bulldog, or a monkey. I'll make you look as if you've lived.
I have, Doc.
Edited from San Quentin
Too Marvelous for Words
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed on record twice by Jo Stafford
Also played on the jukebox at the bus station
Also played at the cafe in Peru and during the end credits See more