6.7/10
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Daisy Kenyon (1947)

Approved | | Drama, Romance | 25 December 1947 (USA)
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »

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(screenplay), (novel)
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Cast

Complete credited cast:
... Daisy Kenyon
... Dan O'Mara
... Peter Lapham
... Lucille O'Mara
... Mary Angelus
... Rosamund O'Mara
... Marie O'Mara
... Coverly
... Lucille's Attorney
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Storyline

Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent and caring man, whom she does not love, but who offers her love and a more hopeful relationship. She marries him... just as Dan gets a divorce. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

Plot Keywords:

cab | train | station | taxi cab | taxi | See All (15) »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

25 December 1947 (USA)  »

Also Known As:

Amante immortale  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Daisy only needs a nickel to make a phone call from the public booth. See more »

Goofs

Near the end of the movie, there are snow chains already on the wheels when Daisy leaves the cottage at the cape. No one had been to the cape since it had snowed. See more »

Quotes

Dan O'Mara: Anything logical makes me want to fight for some reason.
See more »

Connections

Referenced in Preminger: Anatomy of a Filmmaker (1991) See more »

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User Reviews

 
Surprisingly Excellent
14 March 2008 | by See all my reviews

I've seen about a dozen Preminger films and this is my favorite. I wasn't expecting too much once the movie began because it seemed I had seen this all done before but Preminger's characters (as is usually the case) are much more realistic than typical Hollywood movies of this era. The characterization actually compares favorably to foreign films of the time, like for example Quai des Orfèvres from the same year; this movie could easily have been a French production. I'm not much a fan of Crawford or Fonda but this is probably the best I've seen Fonda; and Crawford was just fine. Dana Andrews is superb - probably his best movie! What made this movie for me was that I could relate to all three main characters - in many ways they are more ideas (or philosophies) than actual people but the odd thing is that the line was so blurred that even though I knew this was the case I still enjoyed them as people. What puts this above the other Premingers I've seen is the very tight script, the fast pacing, and three fully realized characters that came across not only as real but as themes in themselves. Add in a memorable supporting cast and everything just blends together to make a perfect concoction.


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