Captain from Castile (1947)

The invasion of Mexico by Cortez, as seen by a young Spanish officer fleeing the Inquisition.

Director:

Henry King

Writers:

Lamar Trotti (screenplay), Samuel Shellabarger (novel)

Stars:

Tyrone Power, Jean Peters, Cesar Romero

Nominated for 1 Oscar.

Cast

Complete credited cast:
Tyrone Power	...	Pedro De Vargas
Jean Peters	...	Catana Perez
Cesar Romero	...	Hernando Cortez
Lee J. Cobb	...	Juan Garcia
John Sutton	...	Diego De Silva
Antonio Moreno	...	Don Francisco De Vargas
Thomas Gomez	...	Father Bartolome Romero
Alan Mowbray	...	Prof. Botello (the astrologer)
Barbara Lawrence	...	Luisa De Carvajal
George Zucco	...	Marquis De Carvajal
Roy Roberts	...	Capt. Alvarado
Marc Lawrence	...	Corio

Storyline

Spain, 1518: young caballero Pedro De Vargas offends his sadistic neighbor De Silva, who just happens to be an officer of the Inquisition. Forced to flee, Pedro, friend Juan Garcia, and adoring servant girl Catana join Cortez' first expedition to Mexico. Arriving in the rich new land, Cortez decides to switch from exploration to conquest...with only 500 men. Embroiled in continuous adventures and a romantic interlude, Pedro almost forgets he has a deadly enemy...

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Plot Keywords:

mexico | inquisition | spain | expedition | cuba | 

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Taglines:

My sword shall make a new world . . . your kiss will make it paradise !

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Genres:

Adventure | Drama | History

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Certificate:

Not Rated

Details

Country:

USA

Language:

English Nahuatl

Release Date:

January 1948 (USA)

Also Known As:

Capitaine de Castille

Filming Locations:

Acapulco, Guerrero, Mexico

Box Office

Budget:

$4,500,000 (estimated)

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

140 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Fox paid author Samuel Shellabarger $100,000 for the screen rights to his novel, a huge sum for 1947.

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Goofs

Pedro constantly refers to the Inquisition as LA SANTA HERMANDAD=THE HOLY BROTHERHOOD, which any reader of DON QUIXOTE can tell you was actually a rural constabulary that was a predecessor of the Guardia Civil. The correct name of the Inquisition, which did not arrive in Mexico until after Cortes' death, is SANTO OFICIO DE LA INQUISICION=HOLY OFFICE OF THE INQUISITION.

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Quotes

Coatl: I think of what you do for me in Spain. I think I speak to you now. Maybe I understand better why you come here. This is my country, senor. These are my people, my gods. We not come tell you to stop loving your gods. We not come to make you slaves. Why do you do this, senor?
Pedro De Vargas: Well, I'm afraid I haven't any answer for that. It isn't right for men to worship idols. There's only one true God.
Coatl: Maybe your God and my God same God. Maybe we just call him by different names.

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Connections

Featured in Conquistadors (2000)

User Reviews

Power Shines in Conquistador Saga...

It's a shame that 20th Century Fox has yet to have released DVD editions of many of the films of the studio's biggest star, Tyrone Power. Almost impossibly handsome, enormously popular, and with excellent acting credentials, Power nearly singlehandedly kept the studio solvent in the traumatic transition years following WWII, with costume epics like "Captain from Castile" showcasing his strengths.

"Castile" echoes Power's earlier films, "The Mark of Zorro" and "Son of Fury", as again he plays a gallant standing against an arrogant aristocratic class, but this time he runs afoul of the Inquisition, and must flee Spain to re-establish his wealth and reputation, accompanied by loyal friend Lee J. Cobb, and a servant girl who secretly adores him (Jean Peters, in one of her best performances). Recruited into the service of the charismatic Hernando Cortez (Cesar Romero, who nearly steals the film), it's off to Aztlan (Mexico, today) with a small army to face the overwhelming but naive Aztec civilization.

While the film frequently drifts into melodrama, shooting on location in Mexico (with the permission and support of the Mexican government), in glorious Technicolor, gives even the most mundane moments a sense of spectacle, and the cast is in top form. Worth singling out is a terrific supporting performance by Thomas Gomez, as a soldier/priest who dispenses common sense as well as religion, and helps Power realize that the woman he truly loves is not on a balcony, in Spain, but beside him, as they march towards their destiny.

Two aspects of the film deserve special recognition; Alfred Newman's score, featuring the vaulting 'Conquest' march, is one of the finest of his long career, and is even more popular today than when the film was released; and Arthur E. Arling and Charles G. Clarke's cinematography is truly magnificent, particularly in the breathtaking finale, as Cortez' forces proudly march across a broad plain, with active volcanoes in the background. Never has going 'on location' been more justified, as the image is unforgettable! If any 'Powers that Be' are reading this review, PLEASE offer this film on DVD, soon! And while you're at it, consider Power's other great films of the 40s and 50s; he deserves to be 'rediscovered' by audiences, today...