7.2/10
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61 user 41 critic

Boomerang! (1947)

Not Rated | | Crime, Drama, Film-Noir | 28 April 1947 (Sweden)
The true story of a prosecutor's fight to prove the innocence of a man accused of a notorious murder.

Director:

Elia Kazan

Writers:

Richard Murphy (screenplay), Fulton Oursler (based upon an article published in The Reader's Digest December, 1945) (as Anthony Abbot)
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Nominated for 1 Oscar. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Dana Andrews ... Henry L. Harvey
Jane Wyatt ... Madge Harvey
Lee J. Cobb ... Chief Harold F. Robinson
Cara Williams ... Irene Nelson
Arthur Kennedy ... John Waldron
Sam Levene ... Dave Woods
Taylor Holmes ... T.M. Wade
Robert Keith ... 'Mac' McCreery
Ed Begley ... Paul Harris
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Storyline

This dramatization of a factual incident opens in a quiet Connecticut town where a kindly priest is murdered while waiting at a street corner. The citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. Although Waldron vehemently denies the crime, no one will believe him. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

You saw it made! Now enjoy it on the screen! Stamford's own picture. (Stamford, Connecticut local newspaper ads). See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

28 April 1947 (Sweden) See more »

Also Known As:

The Perfect Case See more »

Filming Locations:

Connecticut, USA See more »

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Box Office

Budget:

$1,140,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Film debut of Philip Coolidge. See more »

Goofs

When Harvey is offered a sandwich by his wife, he never takes a bite. The reason is obvious, as the sandwich had become so stale during the various takes that when he drops it you can hear the sound when it hits the plate. See more »

Quotes

[Camera close-up on an open book]: The primary duty of a lawyer exercising the office of public prosecutor is not to convict, but to see that justice is done. -The Lawyers' Code of Ethics.
See more »

Crazy Credits

Opening credits are listed in the form of pages of a book. See more »

Connections

References Anna and the King of Siam (1946) See more »

Soundtracks

America, the Beautiful
(uncredited)
Music by Samuel A. Ward
Played during the opening sequence and at the end
See more »

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User Reviews

 
Cameo Alert - Arthur Miller
6 December 2009 | by BaronBl00dSee all my reviews

This is a pretty good, taut, realistic, gritty film-noirish film from the camera lens of Elia Kazan. Kazan gives us the story of a Connetticut district attorney bumping the legal establishment in Hartford by NOT railroading a suspect who he knows to be innocent despite exhausting pressures to prosecute from local elected officials, businessmen, police, etc... The film, as previously noted, has a semi-documentary feel to it - all due to Kazan's expertise behind the camera. Whilst the story certainly is engaging, the acting is all high-level here with Dana Andrews doing a fine job as Henry L. Harvey the attorney faced with an ethical dilemma. Andrews acting range is not too wide but he delivers here and is more than ably assisted by men(and women) like Ed Begley as a businessman gone bad, Jane Wyatt as his lovely wife(Andrews's wife that is),Arthur Kennedy as the suspect with seemingly little to say, and a couple of Kazan would-be regulars - Lee J. Cobb doing a phenomenal job as a decent yet hard-headed police chief and Karl Malden as a police detective. Kazan shows us the story from many angles and has the benefit of having a real story as the basis of his film. We see the angles of different political opponents, a jealous/crazy girlfriend, local people who saw the crime of a priest being shot, and the journalists who try to scare up any angle they can. Some scenes are quite jarring like the confession scene. Arthur Miller, the great American playwright is seen briefly in a scene of suspects being lined-up. He was Kazan's close friend.


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