Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
Anthony John is an actor whose life is strongly influenced by the characters he plays. When he's playing comedy, he's the most enjoyable person in the world, but when he's playing drama, ... See full summary »
Nick Bianco is caught during a botched jewellery heist. The prosecution offer him a more lenient sentence if he squeals on his accomplices but he doesn't roll over on them. Three years into the sentence an event changes his mind.
A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
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Charley Davis wins an amateur boxing match and is taken on by promoter Quinn. Charley's mother doesn't want him to fight, but when Charley's father is accidentally killed, Charley sets up a fight for money. His career blooms as he wins fight after fight, but soon an unethical promoter named Roberts begins to show an interest in Charley, and Charley finds himself faced with increasingly difficult choices.Written by
Jim Beaver <email@example.com>
In the first dressing room scene, there's a close-up of Quinn leaning against the wall. In the very next shot, he's standing a few feet in front of the wall, then backs up and leans against it again. See more »
I've never seen anything like it before in my life. A great silence has descended over this crowd. They seem to sense the kill. There's fear in Marlowe's eyes as Davis looks for an opening.
Davis is following Marlowe around the ring now like a tiger stalking his prey.
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Great flick. I loved it for two reasons: simplicity and realism - about life and about professional sports. Its a clearly drawn sketch of a guy like Charley. Garfield is at his best. He is totally credible. Everything is clear: Peg is all good - all giving. Alice the vamp is one hundred percent evil. So is the promoter, Roberts. A subtle contrast versus these black and whites is Garfield's character because he is flawed. He changes moral coloring as the plot progressives. They stay the same. We know the good guys and girls right away. No moral obscurity here. Clearly an old-fashioned movie - this is the way they used to be. No car chases, no mega-explosions, and no moral relativity either. And there's a plot, too. We need more of these.
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