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Black Narcissus (1947)

Not Rated | | Drama | December 1947 (USA)
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After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.

Writers:

Rumer Godden (adapted from the novel by), Michael Powell | 1 more credit »
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Won 2 Oscars. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Deborah Kerr ... Sister Clodagh
Flora Robson ... Sister Philippa
Jenny Laird ... Sister Honey
Judith Furse ... Sister Briony
Kathleen Byron ... Sister Ruth
Esmond Knight ... The Old General
Sabu ... The Young General
David Farrar ... Mr. Dean
Jean Simmons ... Kanchi
May Hallatt ... Angu Ayah
Eddie Whaley Jr. Eddie Whaley Jr. ... Joseph Anthony
Shaun Noble Shaun Noble ... Con
Nancy Roberts Nancy Roberts ... Mother Dorothea
Ley On Ley On ... Phuba
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Storyline

Sister Clodagh, currently posted at the Convent of the Order of the Servants of Mary in Calcutta, has just been appointed the Sister Superior of the St. Faith convent, making her the youngest sister superior in the order. The appointment is despite the reservations of the Reverend Mother who believes Sister Clodagh not ready for such an assignment, especially because of its isolated location. The convent will be a new one located in the mountainside Palace of Mopu in the Himalayas, and is only possible through the donation by General Todo Rai of Mopu - "The Old General" - of the palace, where the Old General's father formerly kept his concubines. On the Old General's directive, the convent is to provide schooling to the children and young women, and general dispensary services to all native residents who live in the valley below the palace. Accompanying Sister Clodagh will be four of the other nuns, each chosen for a specific reason: Sister Briony for her strength, Sister Phillipa who... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A story of exquisite yearning in a strange and beautiful land. Towering over the screen...as the mountains that saw it happen. See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

December 1947 (USA) See more »

Also Known As:

Narciso negro See more »

Filming Locations:

County Galway, Ireland See more »

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Box Office

Budget:

£280,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Jack Cardiff drew inspiration for his shots from the great painters; he experimented with the tones of Van Gogh, for example, or the reds and greens from Rembrandt. In her British Film Guide book on Black Narcissus, Sarah Smith quotes Cardiff, who explained the influence of Vermeer and Caravaggio: "They both lit with very simple light. Many painters did, but with Vermeer and Caravaggio you were very conscious of it; they really used the shadows. Caravaggio would just have one sweeping light over everything so that you were aware of the single light." The resulting lighting was unusual for Technicolor films of the time, and initially caused concern for Technicolor consultant Natalie Kalmus. She grew to appreciate the look Cardiff was creating once she saw the initial rushes, however. See more »

Goofs

An Australian kookaburra is heard laughing in a bamboo forest in the Himalayan foothills. See more »

Quotes

[first lines]
Mother Dorothea: Sita, go and tell Sister Clodagh I wish to speak with her.
See more »

Crazy Credits

Opening credits:- Convent of the Order of the Servants Calcutta See more »

Alternate Versions

This scene was restored when the film was re-released in the US in the 1980's. See more »

Connections

Featured in The Story of Making the Film They're a Weird Mob (1966) See more »

Soundtracks

Lullay My Liking
(uncredited)
Old Edwardian Carol
Music by Sir Richard Terry
New music by Brian Easdale
See more »

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User Reviews

 
Human struggle defeated by place in a beautiful film
20 February 2000 | by snauntonSee all my reviews

A small group of nuns, working nuns, not contemplatives, journey to the Himalayas to establish a school and dispensary in a high and remote deserted palace. It was a palace built for a ruler's women, and every wall painting, every decoration, contrasts the sensuality of this society with the chaste and energetic vocation of the nuns. Only Dean (David Farrar), the ruling General's Agent, links the steamy life of the valley with the wind-blown austerity of the nunnery above.

It is the destructive power of emotions reppressed and released that is most obvious in 'Black Narcissus', but more fundamental to this beautiful film is a stronger, yet quieter, ancient and more subtle power, that of place. The Himalayan setting is established surprisingly convincingly for the period, in a series of vivid shots that disclose the fact of that landscape's power from the beginning. And the particular quality, the particular power of that place is continuously present in the wind that blows constantly, stirring every fabric, every soft thing. Only as that power of place begins to work its insidious magic on the nuns does it begin to reveal its nature. Everyone there is affected, their practical efforts diverted by poetry and passion. Somehow flowers are planted, not potatoes. The Young General (Sabu) falls in love with a dancing girl (Jean Simmons). Two of the nuns are drawn to the rough Agent, already sunk into the life of the society around him. Sister Clodagh (Deborah Kerr), the Sister Superior, initially drawn back to memories of her lover in Ireland, remains strong in her faith, yet is softened, becomes more human. Sister Ruth (Kathleen Byron), on the other hand, becomes maddened by jealous passion and it is her tragedy, itself peculiarly bound up with the geography of the place, that brings the drama to an end.

The testing of a few people brought together in isolation is a familiar theme, but this is an unusual example. 'Black Narcissus' has an unusual symmetry: acceptance of this tainted life, in the person of the agent, is compared with the surrender to her passions of Sister Ruth, whose irrational passion, in turn, contrasts with the gentle loves of the Sister Clodagh; the abandonment of this world by the holy contemplative who lives in the nunnery grounds contrasts with the nun's holy yet practical struggles. So, too, we see the valley richly coloured, but the Mopu Palace nunnery almost monochrome, washed out.

The project at Mopu fails, the struggle against the genius of the place is abandoned. But not everything fails: Sister Clodagh has become wiser and less proud. Some struggles are too great, but we learn that there can be victories in small things: the Young General wins Kanchi, his dancing girl.

This is a fine film, well acted. David Farrar, though at times uneasy in a difficult role, requiring roughness and sympathy in equal measure, generally manages to strike the right balance. Kathleen Byron grows convincingly mad with jealousy and is stupendous in her dramatic final scene. Flora Robson, as Sister Phillipa, tending her gardens, has a small part which she plays to perfection. Deborah Kerr is outstanding: that Sister Clodagh has a fundamental sympathy disguised by pride is apparent from the beginning, and the progressive disclose of the quiet, loving, passion of her character, is finely judged. The art direction and cinematography, too, is excellent: the wind tugging at every fabric, the sputtering candles, the long shots of the landscape, Sister L pausing momentarily to caress a strikingly phallic baluster. It is astonishing that this was all achieved without leaving the suburbs of London. The music is ravishing and, in the later scenes, intense. Finally, in its emphasis on the spirit of place, even set in the Himalayas, 'Black Narcissus' is a very British film.


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