Texas rancher Scotty Mason goes into the Mexican desert-country in search of a wild horse, and takes his young wife, Margarita and his hired-hand, The Kid, whose life Scotty had saved a few... See full summary »
In the early 1920s, in the desert near the Texas-Mexico border, Charley Eagle (Anthony Quinn), is Indian who owns a small, hardscrabble ranch and is training a horse, "Black Hope,". He thinks that the horse is capable of running in, and winning, the Kentucky Derby. Charley runs into a young Chinese boy, David Chung ('Ducky' Louie), whose father has been killed by a smuggling gang, while pretending to help him enter the United States illegally. Charlie takes the young boy back to his small ranch, where Charley and his wife, Sarah (Katherine DeMille) adopt him. His plans for "Black Hope" go awry but oil is discovered on his land and this intensifies his dreams that "Black Gold" (Highland Dale,) the colt of "Black Hope" can do what his sire couldn't do. The end frame of the film reads:"Suggested by the winning of the 1924 Kentucky Derby by the horse "Black Gold."Written by
Les Adams <firstname.lastname@example.org>
Even allowing for modern tastes and attitudes changing, this is an awful movie. Anthony Quinn cannot save it and no one else in the movie is even halfway decent. Katherine DeMille as his wife seems to be shooting for "stoic" and landing on "comatose". As was said of an equally terrible film on MST3K, "Someone with attention deficit disorder edited this movie." Things just kind of happen for no apparent reason and scenes fade out like the director got bored (and if he did, fair enough.) Plots are sort of vaguely started, then peter out.
And of course, the only thing this has to do with the actual 1924 Kentucky Derby winner, Black Gold, is the horse has the same name and was owned by an Indian (in reality, a Cherokee named Al Hoots. He was dead before Black Gold won the Derby and that's about all he has in common with "Charley Eagle.") The movie can't even be bothered to get the Derby roses the right color (unless the film stock is SO degraded those were red at some point.) Even the softened-up version of the horse's story told in Marguerite Henry's "Black Gold" is more accurate than this disaster area. This is an excellent example of a case where just because you have some spare money and actors on contract does not mean you have to make a movie.
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