Anne Parkson feels neglected by her lawyer-husband Ted, so she falls in love with night-club owner Tony Arnello, a shady character who is a client of her husband's. This being a MGM picture...
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A Los Angeles socialite kills a man while home alone one night and claims he was an intruder she did not know. It seems like a clear case of self defense until the story hits the papers and people connected to the dead man come forward.
In Brooklyn, fishing is the hobby of the workers Jonah Goodwin and Olaf Johnson and they use to fish every night in their old boat. Jonah's daughter is the twenty-one year-old telephone ... See full summary »
On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
Anne Parkson feels neglected by her lawyer-husband Ted, so she falls in love with night-club owner Tony Arnello, a shady character who is a client of her husband's. This being a MGM picture and MGM known to strive for General Audience ratings and avoid the dreaded Adult Audience tag, any affair that takes place is barely implied. Tony, a no-goodnik, kills Claire Lorrison, but Anne's compact is found near the body. Arnello threatens her with exposure unless she keeps quiet, as she is the only one who knows he is guilty. This being an Arch Oboler film, it is also filled with lots of "stream of consciousness" techniques in which the audience is able to share the thoughts of the central character. Oboler is highly praised in some quarters for bringing this from his radio programs where, of course, it was needed to let the radio audience know what was going on. In films, it comes off as just somebody talking to themselves. Gifford talks to herself a lot in this one, mainly about whether to...Written by
Les Adams <email@example.com>
This film received its USA television premiere in Los Angeles Monday 29 October 1956 on KTTV (Channel 11), followed by Seattle Thursday 15 November 1956 on KING (Channel 5), by Philadelphia Friday 30 November 1956 on WFIL (Channel 6) and by New York City Thursday 13 December 1956 on WCBS (Channel 2); in Altoona PA it first aired 5 April 1957 on WFBG (Channel 10), in Minneapolis 8 June 1957 on KMGM (Channel 9), in Chicago 21 June 1957 on WBBM (Channel 2), and in San Francisco 31 December 1957 on KGO (Channel 7). See more »
When Ann is scrambling to get out of Tony's car at the red traffic light, all of a sudden the rear window is blacked out - after having been seen through clearly as they were driving around previously. After Tony pulls away from the light, the rear window is visible again. See more »
The Arnelo Affair has John Hodiak in the title role of a nightclub owner with tax troubles getting an affair going with his lawyer's wife Frances Gifford.
Frances is a woman with an itch and Hodiak is quite willing to scratch it. But as it turns out he's doing a bit of two timing himself on actress Joan Woodbury. Later on when Woodbury is murdered Hodiak is on the short list of Detective Warner Anderson suspects, but so is Gifford.
This film is a great example of the Code strangling the creativity of film making. Today it would be quite explicitly filmed with proper sex scenes in their place.
George Murphy played Gifford's husband and his is a strangely underwritten role. If I were doing the film and being that Hodiak is having tax troubles, when Murphy does find out there are hundreds of creative ways he could have done Hodiak good and proper.
Eve Arden is in the film in an Eve Arden part. Though in this one she's sporting a hint of jealousy that Hodiak isn't giving her a tumble. That too should have been brought out more.
The Arnelo Affair if someone decides to remake it has lots of room for improvement.
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