Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
In 1818 Alabama, French settlers are pitted against greedy land-grabber Blake Randolph but Kentucky militiaman John Breen, who's smitten with French gal Fleurette De Marchand, comes to the settlers' aid.
Duke falls for Flaxen in the Barbary Coast in turn-of-the-century San Francisco. He loses money to crooked gambler Tito, goes home and PL: learns to gamble, and returns. After he makes a ... See full summary »
Notorious gunman Quirt Evans is wounded and on the run. He arrives at a Quaker farm owned by Thomas Worth and his family where he collapses from exhaustion. Evans asks Thomas and his daughter Penelope to drive him into town in their wagon in order to send an urgent telegram. The telegram contains a land claim and is sent to the land recorder's office. The Quaker family is ignoring the town doctor's advice to rid themselves of the gunfighter and they compassionately tend to the delirious Evans. Penny Worth becomes intrigued by his ravings of past loves.When Evans regains consciousness, Penny explains to him about the Quaker credo of non-violence and way of life. Three weeks later, two desperadoes, Laredo Stevens and Hondo Jeffries, ride into town looking for Evans.Penny's younger brother, Johnny, rushes home to inform Evans of his visitors and Evans prepares to flee. Penny, now smitten with Evans, offers to run off with him. Upon hearing the sound of approaching horses, Evans grabs his... Written by
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
The doctor at one point mentions "living in a never never land," an obvious reference to Peter Pan. However, the play did not see its first performance in London until 1904, and the novel was not published until 1911. There is no way anyone living on the 19th-century American frontier could know of Peter Pan's home. See more »
This film is one of the great classics of cinema history, nearly perfect in every way. I have to confess I never heard of it until I bought the DVD in Paris out of curiosity because I like Gail Russell. Watching it with French subtitles was hysterically funny in terms of the language differences: 'Hey boss!' is translated 'He, Patron!', and countless other mirthful examples. As usual, the French cineastes have shown great taste in treating this film as an international classic transcending all cultural boundaries. To call it a 'Western' is to condemn it to provincialism. It is far more than that. The luminous presence of the velvety, shy, and melancholy Gail Russell is truly the presence of an angel, and it is as if heaven were lighting the shots for her. She can never have delivered a better performance, nor in my opinion did John Wayne ever find better magic with a leading lady, even his chum Maureen O'Hara with whom he had such jolly roustabouts in more rough and tumble films later on. This film has a pervasive gentle humour which is delightful. Wayne himself is the perfect puer aeternus (eternal boy), wrinkling up his tough guy's visage in an instant into a childlike puzzlement and instant surrender to the playful Gail Russell's commands, on a docile and comical yes ma'am basis. They are like two ten-year-olds playing together, oblivious of the camera. Botticelli could not have drawn a more perfect angel for this fable. Who cares about the story, just sit back and watch this magic as if you were peeking through the doors of some lost paradise. Never would John Wayne rise so high again; this was his peak. And this was Gail Russell at her most glorious, her most divine. When you die, take this one with you.
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