IMDb RATING
6.4/10
3.4K
YOUR RATING
The late, great impresario Florenz Ziegfeld Jr. looks down from Heaven and ordains a new revue in his grand old style.The late, great impresario Florenz Ziegfeld Jr. looks down from Heaven and ordains a new revue in his grand old style.The late, great impresario Florenz Ziegfeld Jr. looks down from Heaven and ordains a new revue in his grand old style.
IMDb RATING
6.4/10
3.4K
YOUR RATING
- Directors
- Lemuel Ayers(segment Love)
- Roy Del Ruth(segment A Sweepstakes Ticket)
- Robert Lewis(segment Number Please)
- Writers
- David Freedman(segment A Sweepstakes Ticket)
- Hugh Martin(segment Love)
- Ralph Blane(segment Love)
- Stars
- Directors
- Lemuel Ayers(segment Love)
- Roy Del Ruth(segment A Sweepstakes Ticket)
- Robert Lewis(segment Number Please)
- Writers
- David Freedman(segment A Sweepstakes Ticket)
- Hugh Martin(segment Love)
- Ralph Blane(segment Love)
- Stars
- Awards
- 1 win & 1 nomination
- Directors
- Lemuel Ayers(segment Love)
- Roy Del Ruth(segment A Sweepstakes Ticket)
- Robert Lewis(segment Number Please)
- Writers
- David Freedman(segment A Sweepstakes Ticket)
- Hugh Martin(segment Love)
- Ralph Blane(segment Love)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt the beginning of the "Bring On The Beautiful Girls" number, several older women are shown; these are women who actually appeared in the original Ziegfeld Follies on stage.
- GoofsTowards the end of the "This Heart of Mine" number, as Fred Astaire and Lucille Bremer begin to dance back to the palace, dancers in the background (screen left) clearly are struggling to stabilize some of the antler-tree props.
- Quotes
Florenz Ziegfeld Jr.: Children play with the dreams of tomorrow. And old men play with the memories of yesterday.
- Crazy creditsZiegfeld Follies credits are in alphabetical order. That is why "Bunin" comes before "Charisse"
- ConnectionsEdited into Hollywood: The Dream Factory (1972)
- SoundtracksHere's to the Girls
Music by Roger Edens
Lyrics by Arthur Freed
Sung by Fred Astaire, chorus
Danced by Cyd Charisse, Lucille Ball, chorus
Featured review
The Hollywood Revue of 1946
The premise of this film is that Ziegfeld (with William Powell reprising his role) is in heaven thinking of his dream revue, with the rest of the movie just a playing out of that dream revue. I rather wonder about the direction, because this film managed to do what I've never seen done before - make William Powell appear hammy and amateurish in the opening moments as he plays Ziegfeld once again and then disappears for the rest of the film. Believe me, I say this as a huge fan of William Powell.
Thus there is no plot. It involves the big musical and comedy stars of MGM putting on a show of their various capabilities, and for all intents and purposes could be renamed "The Hollywood Revue of 1946" for those familiar with the original from 1929 which basically had the same purpose. Of course, technology has advanced considerably over the ensuing 17 years, but there are still some missteps. Basically, the musical numbers are good, but the comedy skits that punctuate them fall very flat and detract from the entire film. The highlight for me was seeing Fred Astaire and Gene Kelly perform together in a number. The musical numbers make this an above average film, but just barely.
It is most valuable because it shows MGM just as it begins to lose its grip as a leader in the film industry in the post-war era, and also because it reinforces what Buster Keaton always said - that MGM never "got" comedy.
Thus there is no plot. It involves the big musical and comedy stars of MGM putting on a show of their various capabilities, and for all intents and purposes could be renamed "The Hollywood Revue of 1946" for those familiar with the original from 1929 which basically had the same purpose. Of course, technology has advanced considerably over the ensuing 17 years, but there are still some missteps. Basically, the musical numbers are good, but the comedy skits that punctuate them fall very flat and detract from the entire film. The highlight for me was seeing Fred Astaire and Gene Kelly perform together in a number. The musical numbers make this an above average film, but just barely.
It is most valuable because it shows MGM just as it begins to lose its grip as a leader in the film industry in the post-war era, and also because it reinforces what Buster Keaton always said - that MGM never "got" comedy.
helpful•144
- AlsExGal
- Dec 14, 2014
Details
- Release date
- Country of origin
- Language
- Also known as
- Ziegfeld Follies of 1944
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,240,816 (estimated)
- Runtime1 hour 50 minutes
- Color
- Aspect ratio
- 1.37 : 1
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