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The Walls Came Tumbling Down (1946)

Gilbert Archer, a Broadway gossip-columnist for a newspaper, learns that his best friend,a priest, has been murdered and one of the suspects is a pretty girl, Patricia Foster. In one of the... See full summary »


Lothar Mendes


Jo Eisinger (novel), Wilfred H. Petitt (screenplay)


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Cast overview:
Lee Bowman ... Gilbert Archer
Marguerite Chapman ... Patricia Foster, AKA Laura Browning
Edgar Buchanan ... Rev. George Bradford
George Macready ... Matthew Stoker
Lee Patrick ... Susan
Jonathan Hale ... Captain Griffin
Elisabeth Risdon ... Catherine Walsh
J. Edward Bromberg ... Ernst Helms
Miles Mander ... Dr. Marko
Moroni Olsen ... Bishop Martin
Katherine Emery ... Mrs. Stoker
Noel Cravat Noel Cravat ... Rausch
Robert Ryan Robert Ryan ... Detective Regan (as Bob Ryan)
Charles La Torre Charles La Torre ... Mario Bianca
David Bond ... Night Clerk (as Alfred Allegro)


Gilbert Archer, a Broadway gossip-columnist for a newspaper, learns that his best friend,a priest, has been murdered and one of the suspects is a pretty girl, Patricia Foster. In one of the bibles belonging to the murdered-priest, Archer discovers a code which leads him to the hiding place of a valuable painting. presumed to be the work of Leonardo da Vinci. Archer also learns that the murder was committed by persons anxious to get the painting, and he and Patricia are in danger. Written by Les Adams <longhorn1939@suddenlink.net>

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MURDER uncovers the secret behind the WALLS! See more »


Crime | Mystery | Romance


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Release Date:

7 June 1946 (USA) See more »

Also Known As:

...e le mura caddero See more »

Company Credits

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Technical Specs


Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?


Matthew Stoker: Mr. Archer, I must ask you to forgive this early call, but it's most urgent that we speak with you at once.
Gilbert Archer: What do you want?
Matthew Stoker: I'm sorry, but we must talk to you. It's about some rare Bibles.
Gilbert Archer: Come in. How'd you get past the clerk at the desk?
Matthew Stoker: We didn't, Mr. Archer. The freight elevator was dirty but convenient.
Gilbert Archer: [Looking warily at the man's ministerial collar] You're not a clergyman.
Matthew Stoker: We are missionaries, Mr. Archer.
Gilbert Archer: Did somebody recommend me as a prospect?
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User Reviews

One great painting, two Good Books, a few murders...
5 November 2004 | by bmacvSee all my reviews

Several shady characters in pursuit of an elusive but fabulous treasure, à la The Maltese Falcon, is an all but sure-fire formula for success (sure, sometimes it misfires: See The Argyle Secrets). When The Walls Came Tumbling Down is no black bird, but neither is it an unpaired old sock. It's an entertainingly cheesy, semi-hard-boiled mystery with Humphrey Bogart's gumshoe replaced by ace reporter Lee Bowman, who apes the long-in-the-tooth, desperately debonair style of the first filmed Sam Spade, Ricardo Cortez.

He's on the scene along with the cops when his old parish priest appears to have hanged himself in the rectory. The discreet cover story fed to the press is a heart attack, but Bowman knows it's not mortal sin but murder. (There's some anticipation, in this homicide of a holy man, of the much better Red Light of three years later.) But who would want to kill the beloved old rector?

Dressed to the nines, in slithers Marguerite Chapman (who never made it to a really good movie), claiming to be an old chum of the padre from San Francisco, an alibi Bowman quickly pierces by getting her to confabulate about Bellini's Restaurant on 3rd and Broadway in the city by the bay, which of course is nonexistent.

Other unbidden visitors show up, too. George Macready as a phoney missionary, accompanied by his horror of a wife (Katherine Emery) and worse horror of a goon (Noel Cravat), seeks a pair of Bibles the murdered priest had in his possession. Equally eager to lay hands upon the Good Books are J. Edward Bromberg, posing as Chapman's unhinged father, and his legal custodian Edgar Buchanan. All the fuss about the Bibles owes to their concealing clues to the whereabouts of a lost masterpiece, Leonardo Da Vinci's 'The Walls of Jericho'....

There's a lot of not-quite-first-string character talent in the cast, and the story comes courtesy of Jo Eisinger, who penned Gilda and Night and the City, her most unimpeachable credits. But director Lothar Mendes, a German immigrant whose last movie this would be (and he hadn't worked much in the previous few years) doesn't bring any spark or pace to the action.

Coupled with the lackluster Bowman in the sort of part that Bogart and Dick Powell and even Mark Stevens were doing with panache, it doesn't make the movie much of a keeper. (The picaresque incidents grow too far-fetched as well, culminating with an exhumation in a boneyard one dark and stormy night.) Nevertheless, the movie has its own low-grade integrity, with brief flashes emanating from Macready, Chapman, Bromberg and Buchanan. The Walls Came Tumbling Down makes no honor roles, but gets at least a passing grade.

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