Streetwise but kind-hearted Maisie Ravier has put her vaudeville life behind her, but not its associated outward good looks, flash and glamor. Trying to get to New York for a job, she ... See full summary »
Street-smart Maisie from Brooklyn lands a job at an airplane assembly plant during WWII and falls in love with handsome pilot "Breezy" McLaughlin. Breezy, however, falling in love with and ... See full summary »
Parting company with her on-stage partner Professor Orco partly due to the job being potentially hazardous to her health, streetwise but kind-hearted vaudeville performer Maisie Ravier, in ... See full summary »
Young undefeated boxer Terry Dolan, who's been lying to his invalid mother about his career, confides to Maisie that he hates and is terrified by boxing and wants out. Not wanting to let ... See full summary »
Edwin L. Marin
Maisie is overworked at her defense job and is ordered to take a two week vacation. When she meets Tommy, he offers her a job singing with his band in Reno, but she has to get there on her ... See full summary »
Showgirl Maisie Ravier finds herself once again out of work. She meets a wealthy playboy who hires her to be his family's new maid. Maisie soon finds herself trying to mend the family's ... See full summary »
Mary Stevens (Kay Francis) and her old friend Don Andrews (Lyle Talbot) find themselves graduating from medical school at the same time. They decide to set up their respective medical ... See full summary »
In the ninth entry of this ten-film series, Maisie (Ann Sothern) graduates from business college and disguises herself as a spinsterish frump in order (based on eight past experiences) to keep wolfish prospective employees in line. She gets a job with Joseph Morton (George Murphy) who, with some other returning vets, has perfected an automatically-controlled helicopter. A double-crossing tycoon tries to beat the boys out of their invention, but Maisie discovers the plot and all ends well, but not before Maisie finds herself piloting the helicopter through downtown Los Angeles to a landing in the Pasadena Rose Bowl.Written by
Les Adams <email@example.com>
This film was initially telecast in Lubbock TX Thursday 22 August 1957 on KCBD (Channel 11); it first aired in Phoenix 20 October 1957 on KPHO (Channel 5), in Los Angeles 31 October 1957 on KTTV (Channel 11), in Chicago 9 November 1957 on WBBM (Channel 2), in Honolulu 13 November 1957 on KHVH (Channel 13), in Memphis 18 December 1957 on WHBQ (Channel 13), in Salt Lake City 1 January 1958 on KTVT (Channel 4), in Philadelphia 15 January 1958 on WFIL (Channel 6), in New Haven CT 30 January 1958 on WNHC (Channel 8), in Altoona PA 13 February 1958 on WFBG (Channel 10), in San Antonio 19 February 1958 on WOAI (Channel 4), in Seattle 21 June 1958 on KING (Channel 5), and in San Francisco 13 July 1958 on KGO (Channel 7). Maisie finally made it up to New York City 27 January 1961 oh WCBS (Channel 2). See more »
While Maisie is in the helicopter flying over the city, the wire holding the helicopter in the air can be seen. See more »
This is Maisie's second to last film in the series starring Ann Sothern that ran from 1939 to 1947. Some of them were better than others. This one is in the category of okay. During the war, Maisie was a riveter (Swing Shift Maisie and Maisie Goes to Reno, when she was burnt out and needed a vacation). Now post-war, she needs a new job, something steady. After graduating from business school, she eventually gets a job with an inventor (George Murphy) who is building a helicopter using his own secret invention. Little does he know, someone on his team (who is so obvious it's ridiculous) is trying to steal the drawings from him. Stephen McNally, Ray Collins and Hillary Brooke are featured.
The Maisie movies are, of course, very dated today, but the premise is good - Maisie is a performer who occasionally gets work - usually she's stranded on the way to a job and ends up somewhere else, like in the Congo or on a farm. Ann Sothern is delightful as the street-smart, flashily dressed man magnet. These were B movies churned out probably in days, and the scripts vary from good to lousy along with Sothern's costars, which included James Craig, John Hodiak, Lee Bowman, John Carroll, Lew Ayres and Red Skelton - how's that for variety of up and comings and down and goings? Mildly entertaining.
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