Undercurrent (1946)

Middle-aged bride Ann Hamilton soon begins to suspect that her charming husband is really a psychotic who plans to murder her.

Director:

Vincente Minnelli

Writers:

Edward Chodorov (screenplay), Thelma Strabel (story)

Stars:

Katharine Hepburn, Robert Taylor, Robert Mitchum

Cast

Complete credited cast:
Katharine Hepburn	...	Ann Hamilton
Robert Taylor	...	Alan Garroway
Robert Mitchum	...	Michael Garroway
Edmund Gwenn	...	Professor David 'Dink' Hamilton
Marjorie Main	...	Lucy
Jayne Meadows	...	Sylvia Lea Burton
Clinton Sundberg	...	Mr. Warmsley
Dan Tobin	...	Professor Joseph Bangs
Kathryn Card	...	Mrs. Foster
Leigh Whipper	...	George
Charles Trowbridge	...	Justice Putnam
James Westerfield	...	Henry Gilson
Billy McClain	...	Uncle Ben (as Billy McLain)

Storyline

Approaching middle age, spinster Ann Hamilton, the daughter of Science Professor David Hamilton - more affectionately referred to as Dink - is intelligent, but dowdy and unsophisticated, she who never expects to get married and does nothing beyond be her tomboyish self in an effort to attract a man. Being single does not bother her as she repeatedly turns down the marriage proposal of Dink's colleague, Professor Joseph Bangs, a man she does not love. So it is with some surprise to her that she not only likes Alan Garroway, a wealthy and handsome industrialist who is doing business with Dink, but that they fall in love and get married after a whirlwind courtship. Alan made his wealth during the war in a family started business which ended up being a parts supplier to the military for their aircraft. In their bi-coastal marriage - Alan's company's headquarters in San Francisco, while he grew up and still owns property in Middleburg, Virginia, outside of Washington, DC where he has many ...

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Plot Keywords:

whirlwind romance | husband wife relationship | industrialist | haunted by the past | father daughter relationship | 

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Taglines:

An Irresistible Force That Draws a Man and Woman Together!

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Genres:

Drama | Film-Noir | Thriller

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Certificate:

Approved

Details

Country:

USA

Language:

English German

Release Date:

13 January 1947 (Sweden)

Also Known As:

You Were There

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Box Office

Budget:

$1,644,000 (estimated)

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

116 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The airplane show taking Ann and Alan to Washington, DC--flying mid-air--is an American Airlines Douglas DC-3 DST (Douglas Sleeper Transport), registration NC16001, named "Flagship New York". It was the first DST in service. It first flew with AA in 1936 and was impressed into USAAF service as a C-49E in WWII as reg. 42-56097. On December 18, 1943, it crash-landed at Biggs Army Airfield, Ft. Bliss, TX, and was scrapped. This same plane can be seen in Murder Over New York (1940).

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Goofs

The aircraft shown flying mid-air with Ann and Alan going to Washington, D.C. and the one landing are different planes. The one flying is NC16001, the one landing is NC33651. Note the different tail on the one landing that says "Buy War Bonds".

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Quotes

Ann Hamilton: If I relax, I'll drop dead.

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Connections

Featured in Private Screenings: Robert Mitchum and Jane Russell (1996)

User Reviews

In the Middle

Something of a success, something of a misfire. Katharine Hepburn, Robert Taylor, and Robert Mitchum are all cast against type in this noirish movie made in the style of THE STRANGER, GASLIGHT, and even REBECCA in which a shy woman marries a man with a dark story surrounding him. It looks lush in its black and white visuals and takes its time to get to the tight noose of its plot. However, the middle-of-the road aspect of UNDERCURRENT comes mostly because to believe Katharine Hepburn, of all women, would be this passive person with little to no self-assurance and essentially be a damsel in distress -- a role Joan Fontaine or Joan Crawford could phone in while garnering Oscars -- would be to extend the suspension of disbelief to unbelievable levels. I can see why she'd agreed to take on the role of Ann Hamilton: like any actor, it would give her a chance to extend her range and prove she could pull it off. Both Roberts fared better to varying degrees: Taylor, a thirties heartthrob, had that rich voice and those dark looks that could convincingly translate into playing the complete opposite of the leading man. Mitchum, on the other hand, never known to play an overall nice guy, does just that here. Does it work? Not as well as Taylor, especially when over the years he made a name playing some of the most memorable villains in film history in NIGHT OF THE HUNTER and CAPE FEAR. Here, Mitchum gets little to do, and must concede the scene stealing to Taylor who all but ties Hepburn to the train tracks while twitching that mustache of his and sneering. A nice surprise was to see Jayne Meadows making her film debut by playing a woman who also resembles Hepburn and has some interesting information to give Hepburn about Taylor and Mitchum.