A book publisher finds his business floundering, which prompts his socially ambitious wife to desert him for a society millionaire, leaving him with their young son. The publisher's ... See full summary »
In this spoof of the story The Maltese Falcon (1941) is based on, a double-crossing woman, the two-timing P.I. she hired, the corpulent "empress of crime", and a gentleman thief are all after a legendary priceless eighth-century ram's horn.
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
Approaching middle age, spinster Ann Hamilton, the daughter of Science Professor David Hamilton - more affectionately referred to as Dink - is intelligent, but dowdy and unsophisticated, she who never expects to get married and does nothing beyond be her tomboyish self in an effort to attract a man. Being single does not bother her as she repeatedly turns down the marriage proposal of Dink's colleague, Professor Joseph Bangs, a man she does not love. So it is with some surprise to her that she not only likes Alan Garroway, a wealthy and handsome industrialist who is doing business with Dink, but that they fall in love and get married after a whirlwind courtship. Alan made his wealth during the war in a family started business which ended up being a parts supplier to the military for their aircraft. In their bi-coastal marriage - Alan's company's headquarters in San Francisco, while he grew up and still owns property in Middleburg, Virginia, outside of Washington, DC where he has many ...Written by
The aircraft shown flying mid-air with Ann and Alan going to Washington, D.C. and the one landing are different planes. The one flying is NC16001, the one landing is NC33651. Note the different tail on the one landing that says "Buy War Bonds". See more »
[on seeing Washington, D.C]
The closest I've ever come is a letter to my Congressman.
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Routinely very very good...an odd mix of characters, but it gets better and better
Melodrama with Katherine Hepburn instead of Bette Davis or Joan Crawford?
Yes. And it works, though differently. Hepburn rules the movie, for sure, and she covers some range from sweet daughter of a scientist to a rich man's wife losing her innocence to someone who rises up on her own two feet. She's still the classy (or stiff) Hepburn (depending who you ask). I like her, and I liked her in this film a lot.
The plot uses a whole range of clichés but uses them well. The slight twists to what you expect are never shocking, but they keep you guessing. The second big star, seemingly, is Robert Mitchum, but if you are a fan of his, don't see the movie for his role. It's exceedingly minor. A very strange contract arrangement on that one. When he is there, it's undramatic, though he's in command, of course. The other male lead, Robert Taylor, is his usual reasonable, appropriate self--carefully chosen words to avoid saying a little starchy and ordinaire. One bit part is predictably colorful, Marjorie Main with her earthy comebacks.
Director Vincente Minnelli is in good form here, actually, and if the movie seems routine, it's the story that holds it back. He has some great photography behind it all (Karl Freund), and the score is unusually effective and beautiful (Herbert Stothart). I wouldn't call it a film noir, though it has shadings of the style and it's from that post war dark period. Instead, it's a noir melodrama. Worth seeing, absolutely, if you like those kinds of films.
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