The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler's former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson's only clue is Kindler's fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in. Written by
Rod Crawford <email@example.com>
Mr. Wilson is in the café and the owner tells the soda is a nickel. Wilson gives him a large coin (possibly a half-dollar), but does not get any change. See more »
Look out the window. Look!
Professor Charles Rankin:
Well, that's... that's an old trick, Mr. Wilson, a very poor trick.
Tricks. That's all you know is tricks. I don't need any tricks! And no matter what happens to me, tricks won't do YOU any good. You're finished, Herr Franz Kindler.
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Orson welles directs and stars in vivid postwar Nazi hunt.
A little much in parts, particularly the use of headlight direction that Welles loves to employ, nevertheless, this is a film that rates three stars in the Wellesian collection.
Edward G. Robinson is superb as the laid-back, all-knowing, in-your-face detective and Loretta Young scores as Orson's wife but it's big Billy House who is the real scene-stealer. House plays the man who owns the self-service store in town who likes playing checkers with his customers.
Welles, who looks a little strange--no doubt to match up with the title-provides a commanding performance throughout in a film that reflects the era's revulsion with the Nazi dream.
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