Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio when in reality, it is all part of the scheme of a bitter Ensign named Iago.
In the final fifteen years of the life of legendary director Orson Welles he pins his Hollywood comeback hopes on a film, The Other Side of the Wind, in itself a film about an aging film director trying to finish his last great movie.
Wilson of the War Crimes Commission is seeking Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler's former comrade Meinike and follows him to Harper, Connecticut, where he is killed before he can identify Kindler. Now Wilson's only clue is Kindler's fascination with antique clocks; but, though Kindler seems secure in his new identity, he feels his past closing in.Written by
Rod Crawford <firstname.lastname@example.org>
In one of the final scenes, when Orson Welles lifts Loretta Young one-handed into the clock tower from a ladder, this is not a special effect. Young stated that this was actually filmed in the church with her dangling dangerously 50 feet above the church floor without a net or other protection. However, Young was actually being held and pulled up by a stunt man who had assured her there was no chance of him dropping her. See more »
Near the start of the movie when Meinike gets off the ship and is going through passport control, we hear him say to the officer 'I am traveling for my health', but his lips don't move because as he's approaching the checkpoint, the audience hears his thoughts as to why he's traveling. See more »
[Talking about his small town general store]
All your needs are on our shelves. Just look around, help yourselves.
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Also available in a computer-colorized version. See more »
Orson welles directs and stars in vivid postwar Nazi hunt.
A little much in parts, particularly the use of headlight direction that Welles loves to employ, nevertheless, this is a film that rates three stars in the Wellesian collection.
Edward G. Robinson is superb as the laid-back, all-knowing, in-your-face detective and Loretta Young scores as Orson's wife but it's big Billy House who is the real scene-stealer. House plays the man who owns the self-service store in town who likes playing checkers with his customers.
Welles, who looks a little strange--no doubt to match up with the title-provides a commanding performance throughout in a film that reflects the era's revulsion with the Nazi dream.
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