Always the diplomat, Alex Hazen is slow to take sides in Europe of the 1920s and 1930s. Cassie Bowwman wants him to be more decisive and leaves him in Rome just as Mussolini is coming to ...
See full summary »
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
At a convention, medical researcher Michel Touzac goes with colleagues to see stage caricaturist Targel, whose assistant Florence recognizes him...and attempts suicide. Saved by Touzac's ... See full summary »
While awaiting Production Code seal approval in the USA this Italian-made production went through three American distributors in three years; first Motion Picture Sales Corporation that ... See full summary »
On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
Always the diplomat, Alex Hazen is slow to take sides in Europe of the 1920s and 1930s. Cassie Bowwman wants him to be more decisive and leaves him in Rome just as Mussolini is coming to power. There Alex marries Emily, daughter of a newspaper publisher who hires Cassie for his Paris bureau -- just before retiring from active management of his paper. Alex and Emily's son Sam, recently returned from active duty in World War II, learns the whole story one night in Washington when Emily invites Cassie to dinner. Sam has a story to tell, too.Written by
Dale O'Connor <email@example.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecast took place in Seattle 27 February 1959 on KIRO (Channel 7), followed by Omaha 1 March 1959 on KETV (Channel 7), by Asheville 24 May 1959 on WLOS (Channel 13), by Grand Rapids 27 September 1959 on WOOD (Channel 8), by Milwaukee 6 October 1959 on WITI (Channel 6), by Pittsburgh 21 November 1959 on KDKA (Channel 2), and by Indianapolis 3 December 1960 on WFBM (Channel 6). See more »
And has anyone noticed the way the Sidney and Richards figures in this film anticipate Fonda and Redgrave in "Julia"?
The film itself is very handsome, in a less-than-dynamic sort of way. (How could any film with Robert Young and Ann Richards as 2/3rds of its central trio be described as "dynamic"?) The screenplay is good, though, and Sidney is first-rate.
The theatrical version of Hellman's story was notable for a flashy early appearance by Montgomery Clift (as the ambassador's son). Not a huge success, but acclaimed nonetheless. Frankly, the writing's better for the screenplay.
There's a lot, too, to be said for the sort of noir-flavored, female-centered drama that Hal Wallis and (frequently) William Dieterle produced in this era. "Love Letters," for instance, "The Accused" ... That plus the Hellman style make an intriguing (as well as intrigue-filled) combination.
5 of 7 people found this review helpful.
Was this review helpful to you?
| Report this