Always the diplomat, Alex Hazen is slow to take sides in Europe of the 1920s and 1930s. Cassie Bowwman wants him to be more decisive and leaves him in Rome just as Mussolini is coming to ...
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In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly ... See full summary »
At her father's funeral, Ann Chapin thinks back over the last five years of his life, years of apparent political and personal failure dominated by a selfish and dissatisfied wife and eased... See full summary »
A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »
Always the diplomat, Alex Hazen is slow to take sides in Europe of the 1920s and 1930s. Cassie Bowwman wants him to be more decisive and leaves him in Rome just as Mussolini is coming to power. There Alex marries Emily, daughter of a newspaper publisher who hires Cassie for his Paris bureau -- just before retiring from active management of his paper. Alex and Emily's son Sam, recently returned from active duty in World War II, learns the whole story one night in Washington when Emily invites Cassie to dinner. Sam has a story to tell, too.Written by
Dale O'Connor <firstname.lastname@example.org>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Its earliest documented telecast took place in Seattle 27 February 1959 on KIRO (Channel 7), followed by Omaha 1 March 1959 on KETV (Channel 7), by Asheville 24 May 1959 on WLOS (Channel 13), by Grand Rapids 27 September 1959 on WOOD (Channel 8), by Milwaukee 6 October 1959 on WITI (Channel 6), by Pittsburgh 21 November 1959 on KDKA (Channel 2), and by Indianapolis 3 December 1960 on WFBM (Channel 6). See more »
And has anyone noticed the way the Sidney and Richards figures in this film anticipate Fonda and Redgrave in "Julia"?
The film itself is very handsome, in a less-than-dynamic sort of way. (How could any film with Robert Young and Ann Richards as 2/3rds of its central trio be described as "dynamic"?) The screenplay is good, though, and Sidney is first-rate.
The theatrical version of Hellman's story was notable for a flashy early appearance by Montgomery Clift (as the ambassador's son). Not a huge success, but acclaimed nonetheless. Frankly, the writing's better for the screenplay.
There's a lot, too, to be said for the sort of noir-flavored, female-centered drama that Hal Wallis and (frequently) William Dieterle produced in this era. "Love Letters," for instance, "The Accused" ... That plus the Hellman style make an intriguing (as well as intrigue-filled) combination.
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