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Rome, Open City (1945)

Roma città aperta (original title)
During the Nazi occupation of Rome in 1944, the Resistance leader, Giorgio Manfredi, is chased by the Nazis as he seeks refuge and a way to escape.

Director:

Roberto Rossellini

Writers:

Sergio Amidei (screenplay) (as A. Amidei), Federico Fellini (collaboration on screenplay) (as F. Fellini) | 4 more credits »
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Nominated for 1 Oscar. Another 7 wins. See more awards »

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Cast

Complete credited cast:
Aldo Fabrizi ... Don Pietro Pellegrini
Anna Magnani ... Pina
Marcello Pagliero Marcello Pagliero ... Giorgio Manfredi aka Luigi Ferraris
Vito Annichiarico Vito Annichiarico ... Piccolo Marcello
Nando Bruno Nando Bruno ... Agostino the Sexton
Harry Feist Harry Feist ... Major Bergmann
Giovanna Galletti ... Ingrid
Francesco Grandjacquet Francesco Grandjacquet ... Francesco
Eduardo Passarelli Eduardo Passarelli ... Neighborhood Police Sergeant (as Passarelli)
Maria Michi ... Marina Mari
Carla Rovere Carla Rovere ... Lauretta
Carlo Sindici Carlo Sindici ... Police Commissioner
Joop van Hulzen Joop van Hulzen ... Captain Hartmann (as Van Hulzen)
Ákos Tolnay Ákos Tolnay ... Austrian Deserter (as A. Tolnay)
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Storyline

The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life for Romans is still difficult with the Nazi occupation as there is a curfew, basic foods are rationed, and the Nazis are still searching for those working for the resistance and will go to any length to quash those in the resistance and anyone providing them with assistance. War worn widowed mother Pina is about to get married to her next door neighbor Francesco. Despite their situation - Pina being pregnant, and Francesco being an atheist - Pina and Francesco will be wed by Catholic priest Don Pietro Pelligrini. The day before the wedding, Francesco's friend, Giorgio Manfredi, who Pina has never met, comes looking for Francesco as he, working for the resistance, needs a place to hide out. For his latest mission, Giorgio also requests the assistance of Don Pietro, who is more than willing as he sees... Written by Huggo

Plot Summary | Add Synopsis

Genres:

Drama | Thriller | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

Italian | German | Latin

Release Date:

8 October 1945 (Italy) See more »

Also Known As:

Rome, Open City See more »

Company Credits

Production Co:

Excelsa Film See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Roberto Rossellini and Sergio Amidei took their inspiration from two real-life people, Pina from Teresa Gullace, a Roman woman killed on a street on 3 March 1944, and Manfredi from Cesare Negarville, a partisan that Amidei had hidden at his home during the War. See more »

Quotes

Don Pietro: It's not hard to die well. The hard thing is to live well.
See more »

Connections

Referenced in Lekcja polskiego kina (2002) See more »

Soundtracks

Mallinata Fiorentina
Composed by Giovanni D'Anzi
Lyrics by Galdieri
(1941)
See more »

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User Reviews

Outstanding Italian Neo-realist classic
23 February 1999 | by pooch-8See all my reviews

Roberto Rossellini's Open City contains characters so real and emotions so powerful that it is not unusual for audiences to wonder whether the drama being played out on the screen is in truth a bona fide documentation of events surrounding the Italian Resistance during WWII. A study of the production history reveals that the film is closer to a combination of pure documentation (most accounts will go into detail about the location shooting and the presence of real soldiers) and dramatic reconstruction of actual events (like the execution of priest Don Morosini by the Nazis) with some lyrical filmmaking thrown in for good measure (I still get chills down my spine when I hear the children whistling in defiance of their oppressors). Anna Magnani, one of the greatest performers in the history of Italian cinema, is absolutely amazing in this film.


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