A married woman and a drifter fall in love, then plot to murder her husband.A married woman and a drifter fall in love, then plot to murder her husband.A married woman and a drifter fall in love, then plot to murder her husband.
- Director
- Writers
- Harry Ruskin(screen play)
- Niven Busch(screen play)
- James M. Cain(based on the novel by)
- Stars
Top credits
- Director
- Writers
- Harry Ruskin(screen play)
- Niven Busch(screen play)
- James M. Cain(based on the novel by)
- Stars
- Awards
- 1 nomination
Philip Ahlm
- Photographer
- (uncredited)
John Alban
- Photographer
- (uncredited)
Don Anderson
- Orderly Pushing Wheelchair
- (uncredited)
Morris Ankrum
- Judge
- (uncredited)
King Baggot
- Courtroom Spectator
- (uncredited)
Betty Blythe
- Customer
- (uncredited)
Paul Bradley
- Man
- (uncredited)
Wally Cassell
- Ben
- (uncredited)
Jack Chefe
- Headwaiter
- (uncredited)
Dick Crockett
- Reporter
- (uncredited)
- Director
- Writers
- Harry Ruskin(screen play)
- Niven Busch(screen play)
- James M. Cain(based on the novel by)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJames M. Cain was so impressed with Lana Turner's performance he presented her with a leather-bound copy of the book inscribed, "For my dear Lana, thank you for giving a performance that was even finer than I expected."
- GoofsWhen Cora opens the cash register to leave a note, the bill in the register is a Confederate one-dollar bill.
- Quotes
Cora Smith: It's too bad Nick took the car.
Frank Chambers: Even if it was here, we couldn't take it, unless we'd want to spend the night in jail. Stealing a man's wife, that's nothing, but stealing a man's car, that's larceny.
- Crazy creditsOpening and ending credits are shown over the hardcover book of the same name.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into Dead Men Don't Wear Plaid (1982)
- SoundtracksShe's Funny That Way
(1928) (uncredited)
Music by Neil Moret
Lyrics by Richard A. Whiting
Played on guitar and Sung by Cecil Kellaway
Review
Featured review
Atmospheric story of lust, desire and murder
Drifter Frank Chambers applies for a job at a road side café belonging to Nick Smith, only to fall under the spell of Nick's wife Cora. He falls into desire which leads to deceit and eventually murder. Too late he falls in love but by then things have gone too far. He tells his story to us with the hindsight of a condemned man.
A classic bit of noir light. Based on Cain's sexual novel this underplays the explicit references but turns the subtle stuff way up - the film opens with a `Man Wanted' sign, while Cora is so well played that there's no doubt what she's offering. Without the explicit sex of the remake this story is a lot freer to be interesting rather than explicit. The court case and the mistrust between the lovers is as good as the early desire giving rise to murder.
Lana Turner is excellent as the femme fatale, she is smouldering and very, very desirable. Garfield is also excellent as the man trapped in her web. The two are the very center of the film and are both superb. If the film has any weakness then it may be that modern audiences need more than very subtle stuff, but that's probably our problem rather than the film's.
Overall this is very enjoyable, it has a great sense of mood and builds well to the inevitable conclusion.
A classic bit of noir light. Based on Cain's sexual novel this underplays the explicit references but turns the subtle stuff way up - the film opens with a `Man Wanted' sign, while Cora is so well played that there's no doubt what she's offering. Without the explicit sex of the remake this story is a lot freer to be interesting rather than explicit. The court case and the mistrust between the lovers is as good as the early desire giving rise to murder.
Lana Turner is excellent as the femme fatale, she is smouldering and very, very desirable. Garfield is also excellent as the man trapped in her web. The two are the very center of the film and are both superb. If the film has any weakness then it may be that modern audiences need more than very subtle stuff, but that's probably our problem rather than the film's.
Overall this is very enjoyable, it has a great sense of mood and builds well to the inevitable conclusion.
helpful•6712
- bob the moo
- Feb 18, 2002
Details
- Release date
- Country of origin
- Language
- Also known as
- The Postman Always Rings Twice
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,683,000 (estimated)
- Runtime1 hour 53 minutes
- Color
- Black and White(original release)
- Black and White
- Aspect ratio
- 1.37 : 1
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