A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
Nick Smith, the middle-aged proprietor of a roadside restaurant, hires drifter Frank Chambers as a handyman. Frank eventually begins an affair with Nick's beautiful wife Cora, who talks Frank into helping her kill Nick, by "accident." But the best laid plans......Written by
Jim Beaver <firstname.lastname@example.org>
This is the third version of "The Postman Always Rings Twice" novel. The first was French, The Last Turning (1939) whilst the second was Italian, Ossessione (1943). The fourth was The Postman Always Rings Twice (1981). As such, this 1946 film was the first English language version but was the third version in black-and-white as both earlier versions were not in colour. See more »
During the second part of the car tumbling down the mountain, wires connected to the back bumper are visible. See more »
It's too bad Nick took the car.
Even if it was here we couldn't take it, unless we'd want to spend the night in jail. Stealing a man's wife, that's nothing, but stealing a man's car, that's larceny.
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Ending credits are shown over the hardcover book of the same name. See more »
Also available in a computer colorized version. See more »
Although I didn't get to watch this film with the rest of the class; i'm almost tempted to say my review was more enjoyable and personal, making it a totally different experience for me. This face paced and thrilling film-noir from 1946 is certainly a classic... one of my favorite films from class, to date. Many elements of film making went into this piece. Great lead role acting, particular camera angles, and appropriate mood lighting make this film the high quality that is. For example, Lana Turner's character Cora is unforgettable, her excellent acting skills allowed her to be enticing on screen but not carnal or even just too dramatic. John Garfield's character Frank Chambers is a strong supporting role and I really liked his sense of humor and the way he portrayed his infatuation with Cora, I felt the passion between those two after that infamous lip lock. The camera aids her in this smooth sense of seduction as well. Lighting throughout the film also helped to make the mood suspicious (in the way of her careless husband Nick) yet captivating and sensual (Cora's form fitting outfits and intense kissing scene) I thoroughly enjoyed this movie and enjoyed it all to myself this time too!
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