Cast overview, first billed only: | |||
Daniel Auteuil | ... | Georges Laurent | |
Juliette Binoche | ... | Anne Laurent | |
Maurice Bénichou | ... | Majid | |
Annie Girardot | ... | Georges's Mom | |
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Bernard Le Coq | ... | Georges's Editor-In-Chief |
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Walid Afkir | ... | Majid's Son |
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Lester Makedonsky | ... | Pierrot Laurent |
Daniel Duval | ... | Pierre | |
Nathalie Richard | ... | Mathilde | |
Denis Podalydès | ... | Yvon | |
Aïssa Maïga | ... | Chantal | |
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Caroline Baehr | ... | Nurse |
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Christian Benedetti | ... | Georges's Father |
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Philippe Besson | ... | TV Guest |
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Loic Brabant | ... | Police Officer No. 2 (as Loïc Brabant) |
Set in France, Georges is a TV Literary Reviewer and lives in a small yet modern town house with his wife Ann, a publisher and his young son Pierrot. They begin to receive video tapes through the post of their house and family, along side obscure child-like drawings. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help. As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic. Written by Jodie Norton
We are, yes, we're the ones who look without really seeing and Michael Heneke, the veteran young director knows it. Paranoia and responsibility in a film that is as irritating as it is brilliant. Even the opening credits, small writing while a camera, still, very still, stares at an upper, middle class abode. An intellectual Hitchcockian exercise by a genial director who seems, at times, is playing with himself. He probably is doing it knowing that we're looking and tests our endurance without caring, really, whether we're with him or against him. What he, I believe, wouldn't tolerate is our indifference but, there is no danger of that. Love and hate. Admiration and ridicule. He will inspire all of that, at the same time by some of us, all of us, one way or another. The performances are all wonderful and there is a marvelous moment with the great Annie Girardot.