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Notorious (1946)

Not Rated | | Drama, Film-Noir, Romance | 6 September 1946 (USA)
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A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them?

Director:

Alfred Hitchcock

Writer:

Ben Hecht
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Popularity
4,636 ( 61)
Nominated for 2 Oscars. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Cary Grant ... Devlin
Ingrid Bergman ... Alicia Huberman
Claude Rains ... Alexander Sebastian
Louis Calhern ... Paul Prescott
Leopoldine Konstantin ... Mme. Sebastian (as Madame Konstantin)
Reinhold Schünzel ... 'Dr. Anderson' (as Reinhold Schunzel)
Moroni Olsen ... Walter Beardsley
Ivan Triesault ... Eric Mathis
Alexis Minotis Alexis Minotis ... Joseph (as Alex Minotis)
Wally Brown ... Mr. Hopkins
Charles Mendl Charles Mendl ... Commodore (as Sir Charles Mendl)
Ricardo Costa Ricardo Costa ... Dr. Barbosa
E.A. Krumschmidt E.A. Krumschmidt ... Hupka (as Eberhard Krumschmidt)
Fay Baker ... Ethel
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Storyline

Following the conviction of her German father for treason against the U.S., Alicia Huberman takes to drink and men. She is approached by a government agent (T.R. Devlin) who asks her to spy on a group of her father's Nazi friends operating out of Rio de Janeiro. A romance develops between Alicia and Devlin, but she starts to get too involved in her work. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

spy | wine | german | wine cellar | nazi | See All (119) »

Taglines:

Deep their love! Great the risk! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French | Portuguese

Release Date:

6 September 1946 (USA) See more »

Also Known As:

Alfred Hitchcock's Notorious See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$2,000,000 (estimated)

Gross USA:

$10,464,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on January 26, 1948 with Ingrid Bergman reprising her film role. See more »

Goofs

When Devlin and Alicia are having a drink at an outside table in a busy cafe, the same portion of background film was used in two separate parts of their dialogue (a man walks away from the camera, then a waiter approaches a distant table and starts to put down some drinks from his tray). See more »

Quotes

[first lines]
[Title card]: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six...
[reporters and photographers converse amongst themselves outside the courtroom]
Judge: Is there any legal reason why sentence should not be pronounced?
District Attorney: No, your honor.
John Huberman: Yes, I have something to say. You can put me away, but you can't put away what's going to happen to you, and to this whole country next time. Next time we are going...
Defense Counsel: [whispering] I wouldn't say any more. We'll need that for the ...
See more »

Crazy Credits

Opening credits prologue: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six.... See more »

Connections

Referenced in Enigma (2001) See more »

Soundtracks

Carnaval, Op. 9, Scènes mignonnes sur quatre notes: 'Chopin'
(uncredited)
Written by Robert Schumann
Performed in the distance as Alicia enters Alex's house for the first time
See more »

Frequently Asked Questions

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User Reviews

 
My favorite Hitchcock!
2 September 1999 | by Daniel R. BakerSee all my reviews

Alicia Huberman (Ingrid Bergman) is the daughter of a German-American who has been imprisoned for turning traitor to the U.S. during World War II. Despondent, she becomes an alcoholic and flits from man to man, until one day a mysterious government agent named Devlin (Cary Grant) comes to her and asks for her help. Some old Nazi acquaintances of her father's has taken up residence in Rio de Janeiro; he needs her help to spy on them. Somewhat reluctantly, Alicia agrees.

Once in Rio, it takes some time for the couple to be assigned their mission. The trip takes on the character of a honeymoon, and Alicia and Devlin start falling in love. Then their orders do arrive, and Alicia is assigned to infiltrate the house and the bedroom of the Nazi leader, Alexander Sebastian (Claude Rains).

This movie delivers a very different kind of suspense from Hitchcock's more famous NORTH BY NORTHWEST. There are no strafing runs by malevolent crop-dusters, no cliff-hanging mountain-climbing scenes, no mad footraces. The suspense here relies all on subtleties that get under your skin and chill you much more than the in-your-face antics of Hitchcock's later piece. The popping of champagne corks signals time running out for two spies in the wine cellar; an impassioned lover seeks to kiss the hand of his lady who has a deadly secret concealed in her palm; a victim of poison sees the shadows of the poisoners merge together on the wall. The final scene is the best of all. Who but Hitchcock could imbue the innocent sentence, "I wish to talk to you," with such chilling power?

This is one of Ingrid Bergman's best performances; Alicia is hardly perfect, but brave and lovely. Hitchcock was far ahead of his time in discarding male chauvinist attitudes that elevated a woman's chastity and "ladylike" attributes over her courage and intelligence. When a superior disparages Alicia for the lack of "character" she has shown by following the orders he himself has given her, Devlin sarcastically lashes out: "She may be risking her life, but when it comes to being a *lady,* she doesn't hold a candle to your wife, sir, sitting in Washington playing bridge with three other ladies of great honor and virtue." Yet Devlin himself is often unsympathetic and harsh in his treatment of Alicia, and the unfairness of that treatment is sharply highlighted in a manner very sympathetic to her.

Not to be overlooked is Rains' magnificent rendition of Alexander Sebastian, a villainous but human and rather weak man who genuinely loves Alicia. I have never seen Rains better except for his immortal portrayal of Cap. Renault in CASABLANCA. Also superb is Leopoldine Konstantin as Sebastian's domineering, scheming mother.

NOTORIOUS is intense and meticulously crafted, and benefits from the best acting in any Hitchcock movie. While NORTH BY NORTHWEST or THE 39 STEPS might be a better introduction to Hitchcock for people used to the slam-bang action of modern cinema, NOTORIOUS is the best I can recommend for those who have already learned to love Hitchcock's work.


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