7.8/10
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149 user 78 critic

My Darling Clementine (1946)

Not Rated | | Biography, Drama, Western | November 1946 (UK)
The Earps battle the Clantons at the OK Corral in Tombstone, Arizona.

Director:

John Ford

Writers:

Samuel G. Engel (screen play), Winston Miller (screen play) | 2 more credits »
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Lawman Wyatt Earp and outlaw Doc Holliday form an unlikely alliance which culminates in their participation in the legendary Gunfight at the O.K. Corral.

Director: John Sturges
Stars: Burt Lancaster, Kirk Douglas, Rhonda Fleming
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Cast

Complete credited cast:
Henry Fonda ... Wyatt Earp
Linda Darnell ... Chihuahua
Victor Mature ... Doc Holliday
Cathy Downs ... Clementine Carter
Walter Brennan ... Old Man Clanton
Tim Holt ... Virgil Earp
Ward Bond ... Morgan Earp
Alan Mowbray ... Granville Thorndyke
John Ireland ... Billy Clanton
Roy Roberts ... Mayor
Jane Darwell ... Kate Nelson
Grant Withers ... Ike Clanton
J. Farrell MacDonald ... Mac the Barman
Russell Simpson ... John Simpson
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Storyline

Wyatt Earp and his brothers Morgan and Virgil ride into Tombstone and leave brother James in charge of their cattle herd. On their return they find their cattle stolen and James dead. Wyatt takes on the job of town marshal, making his brothers deputies, and vows to stay in Tombstone until James' killers are found. He soon runs into the brooding, coughing, hard-drinking Doc Holliday as well as the sullen and vicious Clanton clan. Wyatt discovers the owner of a trinket stolen from James' dead body and the stage is set for the Earps' long-awaited revenge. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis

Taglines:

Reckless, Riotous Frontier Adventure! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

November 1946 (UK) See more »

Also Known As:

John Ford's My Darling Clementine See more »

Filming Locations:

Shiprock, New Mexico, USA See more »

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Box Office

Budget:

$2,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (pre-release)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Darryl F. Zanuck insisted that the film be recut and felt there was enough raw footage to make most of the changes. He also insisted he be allowed to do it himself without John Ford's input, saying, "You trusted me implicitly on The Grapes of Wrath (1940) and How Green Was My Valley (1941). You did not see either picture until they were playing in the theaters and innumerable times you went out of your way to tell me how much you appreciated the editorial work." See more »

Goofs

Not any of the Earps died before the gunfight, whilst in this movie James and Virgil were murdered prior to the OK Corral. In fact, James died in 1926, and Virgil died in 1905. See more »

Quotes

Granville Thorndyke: Shakespeare was not meant for taverns... nor for tavern *louts*.
Ike Clanton: [Grabbing Thorndyke's arm] Yorick stays here!
[Wyatt Earp pistol-whips Clanton across the forehead]
See more »

Alternate Versions

In 1994, an alternate "preview" version of the film was found that runs 103 or 104 minutes, according to different sources. In June 1946, director John Ford showed producer Darryl F. Zanuck his cut of the film. Zanuck's opinion was that the film had some problems, so Zanuck reshot certain scenes with Director Lloyd Bacon. Zanuck also recut other scenes, changed the music at certain points, and slightly altered the finale. In all, 35 minutes of footage was shot or recut, and the film was released at 97 minutes. Both the 103-104 min. archival preview print and the 97 min. release print are on the Fox DVD released January 6, 2004. See more »

Connections

Referenced in War, Inc. (2008) See more »

Soundtracks

Camptown Races
(1850) (uncredited)
Music by Stephen Foster
Played on piano in the bar
See more »

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User Reviews

 
Flawless acting, direction and photography combine to produce the pinnacle of the western genre.
28 May 2001 | by rmears1See all my reviews

Absolute perfection. Without a doubt, `My Darling Clementine' has secured its place in film immortality, resting proudly at the top of the list of the finest westerns ever made. It represents the genre at its peak and the career high point of all involved, including director John Ford and star Henry Fonda. `Clementine' achieves the difficult blend of drama, action, romance and occasional comic relief necessary to appeal to all viewers. This is the kind of film at which Ford excelled - straightforward and powerful, sentimental but never maudlin. It is needless to say that this is the definitive portrayal of Wyatt Earp and the gunfight at the OK Corral. It may not be the grittiest, most penetrating or historically accurate rendition, but it mixes just the right quantities of realism, legend and Hollywood magic. Its characterizations leave no room for improvement. Henry Fonda was born to play Earp. His folksy, unpretentious demeanor, coupled with the hard edge of a man who must occasionally deal out justice through the barrel of his gun, produce a multidimensional performance that others approaching the role could only dream of. With his portrayal of the tubercular Doc Holliday, Victor Mature forever shed his light image and began a series of solid dramatic roles. Other actors have played Holliday as flamboyant and eccentric, but Mature is effective in approaching him as a fatalist who has relinquished his aspirations of greatness and now lives life one day at a time. He forms an alliance with Earp because he has nothing better to do, and nothing else to live for. Walter Brennan's Old Man Clanton is a study in evil personified, and will certainly shock viewers who know him only as the crotchety but lovable grandfather he played on so many occasions. The rest of the cast is uniformly fine, featuring many members of Ford's `stock company' which followed him throughout his career. Ford's direction is strong and sure-footed. Although this was familiar territory for him, he was careful to instill each scene with a certain degree of uniqueness so the film would never appear routine. In this he was entirely successful, and a brief glance at his filmography confirms that this holds true throughout his body of work. The cinematography is breathtaking. Vast outdoor imagery and intimate gatherings of people are conveyed in an equally compelling manner. Earp's soliloquy at his brother's gravestone, a church dance sequence and the gunfight itself are among the film's many highlights. Only so much praise can be given in a review such as this; it must be seen to be appreciated.


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