Wyatt Earp and his brothers Morgan and Virgil ride into Tombstone and leave brother James in charge of their cattle herd. On their return they find their cattle stolen and James dead. Wyatt takes on the job of town marshal, making his brothers deputies, and vows to stay in Tombstone until James' killers are found. He soon runs into the brooding, coughing, hard-drinking Doc Holliday as well as the sullen and vicious Clanton clan. Wyatt discovers the owner of a trinket stolen from James' dead body and the stage is set for the Earps' long-awaited revenge.Written by
Doug Sederberg <firstname.lastname@example.org>
When the Arizona location shoot was completed, John Ford and 20th Century-Fox donated the Tombstone set to the Navajo tribal council to be disposed of as they wished. It remained there until 1951, when it was sold and carted off for salvage. See more »
There are no Sahauros as far north as the buttes in Monument Valley, where Tombstone, Arizona Territory has been arbitrarily relocated for scenic/cinematographic interest. The Sahauros on this film set are rubber props much too short in stature (immature) to be branched. See more »
I've heard a lot about you, too, Doc. You left your mark around in Deadwood, Denver and places. In fact, a man could almost follow your trail goin' from graveyard to graveyard.
There's one here, too... the biggest graveyard west of the Rockies. Marshals and I usually get along much better when we understand that right away.
See more »
In 1994, an alternate "preview" version of the film was found that runs 103 or 104 minutes, according to different sources. In June 1946, director John Ford showed producer Darryl F. Zanuck his cut of the film. Zanuck's opinion was that the film had some problems, so Zanuck reshot certain scenes with Director Lloyd Bacon. Zanuck also recut other scenes, changed the music at certain points, and slightly altered the finale. In all, 35 minutes of footage was shot or recut, and the film was released at 97 minutes. Both the 103-104 min. archival preview print and the 97 min. release print are on the Fox DVD released January 6, 2004. See more »
(Oh My Darlin') Clementine
Music by Percy Montrose
Lyrics by H.S. Thompson
Played and Sung during the opening credits and at the end
Also Whistled by Henry Fonda entering the hotel lobby on Sunday morning; stops whistling when he sees Clementine See more »
Wyatt Earp cleans up Tombstone
MY DARLING CLEMENTINE ( rating, * * * * ½ out of 5 )
Adapted from the book 'Wyatt Earp, Frontier Marshal' by Stuart N. Lake, writers Samuel G. Engel, Winston Miller and Sam Hellman, and the great director himself John Ford, offer this most atmospheric depiction of Wyatt Earp, Doc Holliday and the most famous of shootouts in Western folk-lore.
The story basically covers the period when Wyatt Earp cleaned up Tombstone and wiped out the Clanton gang at the OK Coral. This is time-honored stuff. Nostalgic dramatizations that romanticized the Wild West while creating unforgettable heroes and notorious villains.
John Ford's handling of this motion picture is done with great care and obvious affection. Significant endeavor and attention to detail has gone into the period's reconstruction and the result is what can only be described as lyrical. A synchronous composition of sight and sound that produces a mesmerizing effect which in turn forces any viewer to fall instantly in love with this film.
Henry Fonda's portrayal of Wyatt Earp is without doubt the best that has ever been attempted and Victor Mature's Doc Holliday has him in rare form. Add cast members Walter Brennan, Linda Darnell, Ward Bond and John Ireland, and this film just crackles along.
There is one interesting irony I have noted. In John Ford's celebrated history as a director, particularly in the days when he was making silent films, the real Wyatt Earp acted as Ford's technical adviser bringing a new level of authenticity to gun play that Hollywood in the past had only guessed at. But in 'My Darling Clementine', the final shootout although well done, has a fantasy-like quality about it that avoids a sense of violent realism and adopts a surreal quality - as if seen through a dream.
Because John Ford knew all too well how to make a gunfight look believable, maybe this film allowed him to go beyond what was expected and to produce something a little special, and maybe it was shot in the way that Wyatt Earp wished it could have really happened. To successfully bend the rules, it really helps to have written them in the first place.
'My Darling Clementine' is a joy to behold. Sure, there are a few moments when minor cracks appear, but for pure entertainment value, it is unsurpassed. This movie is what going to the pictures on a Saturday afternoon was all about - those delightful matinee sessions when you'd load your arms up with confectionery, scramble for the best seats in the back row and experience the escapism that made growing up in the suburbs almost tolerable.
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