A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.
Wyatt Earp and his brothers Morgan and Virgil ride into Tombstone and leave brother James in charge of their cattle herd. On their return they find their cattle stolen and James dead. Wyatt takes on the job of town marshal, making his brothers deputies, and vows to stay in Tombstone until James' killers are found. He soon runs into the brooding, coughing, hard-drinking Doc Holliday as well as the sullen and vicious Clanton clan. Wyatt discovers the owner of a trinket stolen from James' dead body and the stage is set for the Earps' long-awaited revenge.Written by
Doug Sederberg <email@example.com>
In the film, the OK Corral gunfight happens in 1882. It actually happened on October 26, 1881. See more »
Sure is rough-looking country. Ain't no cow country. Mighty different where I come from. What do they call this place?
Old Man Clanton:
Just over the rise there. Big town... called Tombstone.
See more »
(Oh My Darlin') Clementine
Music by Percy Montrose
Lyrics by H.S. Thompson
Played and Sung during the opening credits and at the end
Also Whistled by Henry Fonda entering the hotel lobby on Sunday morning; stops whistling when he sees Clementine See more »
I'm not a huge fan of westerns, but the info on this from IMDb drew me to watch it when it showed up on American Movie Classics, and I was richly rewarded. This is truly a beautifully done film, and makes one understand John Ford's reputation in this genre. The understated Henry Fonda and the volcanic Victor Mature somehow work well against each other. The script is low-key and naturalistic, allowing the action to stand out. The cinematography is spectacular, both in the wide open panoramas and in the more intimate personal scenes. Interior lighting, in particular, is very skillfully used. Seeing Walter Brennan, playing against type, makes one appreciate how much better an actor he was than in the amiable, doddering bumpkin roles he got so typecast in later on. To use an overworked term, a classic.
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