A Matter of Life and Death (1946)

A British wartime aviator who cheats death must argue for his life before a celestial court.

Directors:

Michael Powell, Emeric Pressburger

Writers:

Michael Powell, Emeric Pressburger

Stars:

David Niven, Kim Hunter, Robert Coote

1 win & 2 nominations.

Cast

Complete credited cast:
David Niven	...	Peter Carter
Kim Hunter	...	June
Robert Coote	...	Bob Trubshaw
Kathleen Byron	...	An Angel
Richard Attenborough	...	An English Pilot
Bonar Colleano	...	An American Pilot (as Bonor Colleano)
Joan Maude	...	Chief Recorder
Marius Goring	...	Conductor 71
Roger Livesey	...	Dr. Frank Reeves
Robert Atkins	...	The Vicar
Bob Roberts	...	Dr. Gaertler
Edwin Max	...	Dr. McEwen
Betty Potter	...	Mrs. Tucker
Abraham Sofaer	...	The Judge
Raymond Massey	...	Abraham Farlan

Storyline

Returning to England from a bombing run in May 1945, pilot Peter Carter's plane is damaged and his parachute ripped to shreds. He has his crew bail out safely, but figures it is curtains for himself. He gets on the radio, and talks to June, a young American woman working for the U.S. Army Air Forces, and they are quite moved by each other's voices. Then he jumps, preferring this to burning up with his plane. He wakes up in the surf. It was his time to die, but there was a mix-up in heaven. They couldn't find him in all that fog. By the time his "Conductor" catches up with him twenty hours later, Peter and June have met and fallen in love. This changes everything, and since it happened through no fault of his own, Peter figures that heaven owes him a second chance. Heaven agrees to a trial to decide his fate.

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Plot Keywords:

british pilot | year 1945 | american woman | heaven | appeal | 

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Taglines:

THE NEAREST THING TO HEAVEN! (print ad - all caps)

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Genres:

Comedy | Drama | Fantasy | Romance | War

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Motion Picture Rating (MPAA)

Rated PG for thematic elements

Details

Country:

UK

Language:

English French Russian

Release Date:

March 1947 (USA)

Also Known As:

A Matter of Life and Death

Filming Locations:

D&P Studios, Denham Studios, Denham, Buckinghamshire, England, UK

Box Office

Budget:

£320,000 (estimated)

Gross USA:

$3,815,000, 31 December 1947

Company Credits

Production Co:

The Archers

Technical Specs

Runtime:

104 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White (Dye - Monochrome) (heaven scenes) Color (Technicolor) (Earth scenes)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Sir Richard Attenborough (An English Pilot) only has one line: "It's Heaven, isn't it?"

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Goofs

After Peter's second encounter with the Heavenly Messenger, this time in Frank's library, the doctor and June desperately attend to Peter's condition. June kneels in front of Peter and begins to giggle uncontrollably, then expertly hides herself behind Frank to avoid the camera.

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Quotes

[first lines]
Narrator: This is the universe. Big, isn't it?

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Crazy Credits

Foreword (Scrolled up the screen at the start of the film): This is a story of two Worlds the one we know and another which exists only in the mind of a young airman whose life & imagination have been violently shaped by war [Pauses, then scrolls up to reveal] Any resemblance to any other world known or unknown is purely coincidental.

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Alternate Versions

The US release was cut to avoid showing the naked shepherd boy in the sand dunes.

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Connections

Featured in A Profile of 'Black Narcissus' (2000)

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Soundtracks

Shoo Shoo Baby
(1943) (uncredited)
Music and Lyrics by Phil Moore
Sung on the radio by an unidentified man at the trial

User Reviews

What a marvel!

This movie has the most beautiful opening sequence ever made. I've seen this movie for the first time a week ago, since then every day I see the opening and every time I feel as thrilled as I felt the first time I heard David Niven uttering the immortal words from Sir Walter Raleigh's The Pilgrimage:

Give me my scallop-shell of quiet, My staff of faith to walk upon, My scrip of joy, immortal diet, My bottle of salvation, My gown of glory, hope's true gage; And thus I'll take my pilgrimage (…)

Do you know why it would be a truism to say Michael Powell's and Emeric Pressuburger's lives are thoroughly justified for having crafted such a wonderful opening? Because they had been already admitted in the Paradise of Poets long before they made this movie.

I imagine both of them facing trial during Doomsday and saying nonchalantly to an irate God: I beg your pardon, Sir. So, do You want to know what have we done during our lifetime? Well, well you'll see: We've written directed and produced: I know Where I'm Going, Colonel Blimp, Red Shoes… do you think that enough Sir? It is rather obvious that these two great artists had already fulfilled their duty with God, Nature the Muse or Whatever you may call It when they shot A Matter of Life and Death. The fact that other people's lives would be justified for their deeds could be not apparent to everybody, notwithstanding I feel my life would have a meaning had I never done anything else that to see this movie.

Of course old-timers will be tempted to say: They don't do movies like this one any more. They'll be partially mistaken; they didn't make movies like this in the past times either.

I've have already quoted Keats here, but I'll repeat his words: A thing of beauty is a joy forever.