A Matter of Life and Death (1946)

A British wartime aviator who cheats death must argue for his life before a celestial court.

Directors:

Michael Powell, Emeric Pressburger

Writers:

Michael Powell, Emeric Pressburger

Stars:

David Niven, Kim Hunter, Robert Coote

1 win & 2 nominations.

Cast

Complete credited cast:
David Niven	...	Peter D. Carter
Kim Hunter	...	June
Robert Coote	...	Bob Trubshaw
Kathleen Byron	...	An Angel
Richard Attenborough	...	An English Pilot
Bonar Colleano	...	An American Pilot (as Bonor Colleano)
Joan Maude	...	Chief Recorder
Marius Goring	...	Conductor 71
Roger Livesey	...	Doctor Frank Reeves
Robert Atkins	...	The Vicar
Bob Roberts	...	Dr. Gaertler
Edwin Max	...	Dr. Mc.Ewen
Betty Potter	...	Mrs Tucker
Abraham Sofaer	...	The Judge / The Surgeon
Raymond Massey	...	Abraham Farlan

Storyline

Returning to England from a bombing run in May 1945, pilot Peter Carter's plane is damaged and his parachute ripped to shreds. He has his crew bail out safely, but figures it is curtains for himself. He gets on the radio, and talks to June, a young American woman working for the U.S. Army Air Forces, and they are quite moved by each other's voices. Then he jumps, preferring this to burning up with his plane. He wakes up in the surf. It was his time to die, but there was a mix-up in heaven. They couldn't find him in all that fog. By the time his "Conductor" catches up with him twenty hours later, Peter and June have met and fallen in love. This changes everything, and since it happened through no fault of his own, Peter figures that heaven owes him a second chance. Heaven agrees to a trial to decide his fate.

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Plot Keywords:

british pilot | year 1945 | american woman | heaven | appeal | 

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Taglines:

A NEW EXPERIENCE! (print ad - all caps)

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Genres:

Comedy | Drama | Fantasy | Romance | War

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Motion Picture Rating (MPAA)

Rated PG for thematic elements

Details

Country:

UK

Language:

English French Russian

Release Date:

March 1947 (USA)

Also Known As:

A Matter of Life and Death

Filming Locations:

D&P Studios, Denham Studios, Denham, Buckinghamshire, England, UK

Box Office

Budget:

£320,000 (estimated)

Gross USA:

$3,815,000, 31 December 1947

Company Credits

Production Co:

The Archers

Technical Specs

Runtime:

104 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White (Dye - Monochrome) Color (Colour) (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

The premiere (November 1, 1946), at the Empire, Leicester Square, London was held in the presence of King George VI and Queen Elizabeth the Queen Mother, and became the first Royal Film Performance.

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Goofs

While Peter is riding up the stairway with Conductor 71, they pass by the statues (on the left side of the staircase) of Lincoln, then Plato, then Mohammed, and then Solomon. When Peter realizes he needs to go back down the stairs, the statue of Lincoln can again be seen as the next statue coming up. Then, after he stands up to leave, the statue of Mohammed is once again next to him. But we correctly never see a representation of Mohammed, we only see the base of the statue with his name-plate on it.

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Quotes

[first lines]
Narrator: This is the universe. Big, isn't it?

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Crazy Credits

Foreword (Scrolled up the screen at the start of the film): This is a story of two Worlds the one we know and another which exists only in the mind of a young airman whose life & imagination have been violently shaped by war [Pauses, then scrolls up to reveal] Any resemblance to any other world known or unknown is purely coincidental.

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Alternate Versions

The US release was cut to avoid showing the naked shepherd boy in the sand dunes.

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Connections

Referenced in The Colour Merchant (1998)

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Soundtracks

Shoo Shoo Baby
(1943) (uncredited)
Music and Lyrics by Phil Moore
Sung on the radio by an unidentified man at the trial

User Reviews

Wonderful if flawed

WW2. RAF pilot Peter Carter's plane is shot to pieces and his parachute is destroyed. In his final distress call he talks to American WREN June on the radio and they bond at that time, when Peter knows he is doomed. They bid farewell and Peter jumps to his death. Later he wakes on a beach to find he survived and he runs to meet June and the two quickly fall in love. However, in heaven there is panic as one of the collectors of souls admits he missed collecting Peter at the moment of his death due to the thick fog all round. When Peter learns of this he appeals and a heavenly court case is convened in order to decide his fate.

This film was made on request from the MOD (ministry of defence). At the time they wanted a film that was set in wartime and stressed the importance of Britain and America overcoming any cultural differences between them and to stand together. The end result could have easily been a big flag waving exercise that would have been historically added to the pile of average propaganda made around the time (albeit for good reason).

However the actual end result is that the film transcends what it could have been and turns into something that is quite wonderful – witty and moving at the same time. The actual story is a little cheesy and on paper sounds like it could be a disaster and in reality it could have been. The film is never clear if it is real or if it is all in Peter's head and it doesn't matter. The plot allows plenty of nice touches as well as romance. The romantic/emotional side of films don't always wash with me but here I was gripped from the start simply by the powerful radio scene. It's very British (stiff upper lip) but still very moving.

The film just about hangs in there during the middle section where Peter falls in love and his supposed hallucinations are discussed by doctors but the film really comes strong in it's climactic court scene. It is witty and plays on national stereotypes really well and makes the point without forcing it down our throats. It works very well and even the sentimentality is well handled and is never as sugary as it could have been.

Niven is superb and is typically British in the lead. Hunter is pretty good but a little too sappy. The strength of the film is in it's support cast – the final courtroom scene relies more on the support cast than Niven or Hunter (who are barely in it towards the end) and yet it works very well. In fact the best characters are all in the afterlife and not the film's real world. The best element of the film is that the direction and sets are great. The gimmick of b/w and colour works better than expected and the use of it really works well – but shouldn't heaven be in colour and earth in monochrome? Maybe that was the point, I guess. The sets are really good and it's easy to be impressed by that staircase even by today's standards – not technically but just in the power of the image.

Overall this is a solid film. I don't think it deserves all the praise that it gets and if I had to list my top 100 then I'm not sure it would be in there but that's not to take away from it because it is a wonderful piece of work. The emotion is powerful without being sentimental and the film is witty and moving in equal measure.