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A Matter of Life and Death (1946)

PG | | Comedy, Drama, Fantasy | March 1947 (USA)
A British wartime aviator who cheats death must argue for his life before a celestial court.
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1 win & 2 nominations. See more awards »

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Cast

Complete credited cast:
David Niven ... Peter Carter
Kim Hunter ... June
Robert Coote ... Bob Trubshaw
Kathleen Byron ... An Angel
Richard Attenborough ... An English Pilot
Bonar Colleano ... An American Pilot (as Bonor Colleano)
Joan Maude Joan Maude ... Chief Recorder
Marius Goring ... Conductor 71
Roger Livesey ... Dr. Frank Reeves
Robert Atkins Robert Atkins ... The Vicar
Bob Roberts Bob Roberts ... Dr. Gaertler
Edwin Max ... Dr. McEwen
Betty Potter Betty Potter ... Mrs. Tucker
Abraham Sofaer ... The Judge
Raymond Massey ... Abraham Farlan
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Storyline

Returning to England from a bombing run in May 1945, pilot Peter Carter's plane is damaged and his parachute ripped to shreds. He has his crew bail out safely, but figures it is curtains for himself. He gets on the radio, and talks to June, a young American woman working for the U.S. Army Air Forces, and they are quite moved by each other's voices. Then he jumps, preferring this to burning up with his plane. He wakes up in the surf. It was his time to die, but there was a mix-up in heaven. They couldn't find him in all that fog. By the time his "Conductor" catches up with him twenty hours later, Peter and June have met and fallen in love. This changes everything, and since it happened through no fault of his own, Peter figures that heaven owes him a second chance. Heaven agrees to a trial to decide his fate. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

The Greatest Experience In The Emotion Of Love! See more »


Motion Picture Rating (MPAA)

Rated PG for thematic elements | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | French | Russian

Release Date:

March 1947 (USA) See more »

Also Known As:

A Matter of Life and Death See more »

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Box Office

Budget:

GBP320,000 (estimated)

Cumulative Worldwide Gross:

$124,241
See more on IMDbPro »

Company Credits

Production Co:

The Archers See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White (Dye - Monochrome) (heaven scenes)| Color (Technicolor) (Earth scenes)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Dr. Reeves quotes from Lord Byron's poem, "CLXXIII: She walks in beauty like the night" when noting June's arrival. See more »

Goofs

Peter walks slowly up a very wet beach, shedding his flying gear and one boot. The camera switches to a long shot showing a line of gear and Peter in completely dry sand, the surf a long way off. Also, his shadow jumps to a different direction, indicating the passage of at least 3 hours. The pile of clothes behind him also differs between the close and the long shots. See more »

Quotes

[first lines]
Narrator: This is the universe. Big, isn't it?
See more »

Crazy Credits

Foreword (Scrolled up the screen at the start of the film): This is a story of two Worlds the one we know and another which exists only in the mind of a young airman whose life & imagination have been violently shaped by war [Pauses, then scrolls up to reveal] Any resemblance to any other world known or unknown is purely coincidental. See more »

Alternate Versions

The US release was cut to avoid showing the naked shepherd boy in the sand dunes. See more »

Connections

Referenced in Bill & Ted's Bogus Journey (1991) See more »

Soundtracks

Shoo Shoo Baby
(1943) (uncredited)
Music and Lyrics by Phil Moore
Sung on the radio by an unidentified man at the trial
See more »

Frequently Asked Questions

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User Reviews

Wonderful if flawed
9 February 2003 | by bob the mooSee all my reviews

WW2. RAF pilot Peter Carter's plane is shot to pieces and his parachute is destroyed. In his final distress call he talks to American WREN June on the radio and they bond at that time, when Peter knows he is doomed. They bid farewell and Peter jumps to his death. Later he wakes on a beach to find he survived and he runs to meet June and the two quickly fall in love. However, in heaven there is panic as one of the collectors of souls admits he missed collecting Peter at the moment of his death due to the thick fog all round. When Peter learns of this he appeals and a heavenly court case is convened in order to decide his fate.

This film was made on request from the MOD (ministry of defence). At the time they wanted a film that was set in wartime and stressed the importance of Britain and America overcoming any cultural differences between them and to stand together. The end result could have easily been a big flag waving exercise that would have been historically added to the pile of average propaganda made around the time (albeit for good reason).

However the actual end result is that the film transcends what it could have been and turns into something that is quite wonderful – witty and moving at the same time. The actual story is a little cheesy and on paper sounds like it could be a disaster and in reality it could have been. The film is never clear if it is real or if it is all in Peter's head and it doesn't matter. The plot allows plenty of nice touches as well as romance. The romantic/emotional side of films don't always wash with me but here I was gripped from the start simply by the powerful radio scene. It's very British (stiff upper lip) but still very moving.

The film just about hangs in there during the middle section where Peter falls in love and his supposed hallucinations are discussed by doctors but the film really comes strong in it's climactic court scene. It is witty and plays on national stereotypes really well and makes the point without forcing it down our throats. It works very well and even the sentimentality is well handled and is never as sugary as it could have been.

Niven is superb and is typically British in the lead. Hunter is pretty good but a little too sappy. The strength of the film is in it's support cast – the final courtroom scene relies more on the support cast than Niven or Hunter (who are barely in it towards the end) and yet it works very well. In fact the best characters are all in the afterlife and not the film's real world. The best element of the film is that the direction and sets are great. The gimmick of b/w and colour works better than expected and the use of it really works well – but shouldn't heaven be in colour and earth in monochrome? Maybe that was the point, I guess. The sets are really good and it's easy to be impressed by that staircase even by today's standards – not technically but just in the power of the image.

Overall this is a solid film. I don't think it deserves all the praise that it gets and if I had to list my top 100 then I'm not sure it would be in there but that's not to take away from it because it is a wonderful piece of work. The emotion is powerful without being sentimental and the film is witty and moving in equal measure.


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