Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins.Written by
Rod Crawford <email@example.com>
After leaving Warner Brothers for Universal with The Killers (1946), producer Mark Hellinger initially wanted to borrow Warner director Don Siegel, but the loanout fee proved prohibitively high for a director of his limited reputation at that time, so Hellinger used Universal's Robert Siodmak. Ironically, almost 20 years later Siegel did go on to direct the remake, The Killers (1964). See more »
When they're making their getaway from the robbery, the camera crew is reflected in the windshield of the truck they're hiding behind. See more »
You got anything to drink?
I can give you soda, beer, ginger ale...
I said, 'You got anything to drink?'
This is a hot town. Whatta ya call it?
Did you ever hear of Brentwood?
[Max shakes his head, no]
Whatta ya do here nights?
They eat the dinner. They all come here and eat the big dinner.
[...] See more »
With Plenty of Money and You
Music by Harry Warren
Played on piano in Lou Tingle's cafe See more »
Flashback-told film noir that aged really well.
'The Killers' was released on 1946. Back then, the film-noir genre was really popular. And in my opinion, this one is one of the best of this great cinematic genre, because it's told in a different way than most of its time. This movie is told through really smart flashbacks.
'The Killers' begins with two hit men arriving in a small town with only one objective: kill 'Swede' Anderson (Burt Lancaster). After this, a detective starts to investigate his death, by interviewing the people of the town. This is how he uncovers a murderous plot evolving multiple characters. This is one of those movies that really keeps you interesting and anxious on what's going to happen, ans when the plot reveals itself, it's really awesome how everything is around Kitty Collins (Ava Gardner). The story is well-told and aged really well.
The acting here is not superb, but it's not bad also. The movie is important because it's the first major role of Burt Lancaster, and the movie made him a star. It also features the always beautiful and mysterious Ava Gardner and the competent Edward O'Brien, in a interesting role.
I have never watched a Robert Siodmak picture before, and was surprised to see how well he directed this picture. The camera was always at an interesting and different angle, and there's one nice tracking shot in the middle of the movie. Along with the well-made soundtrack by Miklós Rózsa, and the also well-made cinematography by Elwood Bredell the mood in here couldn't be better.
Overral, this is a great film-noir movie, one of the best of its genre. It aged really well, most because of Ernest Hemingway's powerful story. It keeps you interested, with nice acting and directing.
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