7.8/10
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The Killers (1946)

Passed | | Crime, Drama, Film-Noir | 30 August 1946 (USA)
Hit men kill an unresisting victim, and investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.

Director:

Robert Siodmak

Writers:

Anthony Veiller (screenplay), Ernest Hemingway (from the story by)
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Nominated for 4 Oscars. Another 3 wins. See more awards »

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Cast

Complete credited cast:
Burt Lancaster ... Ole 'Swede' Anderson
Ava Gardner ... Kitty Collins
Edmond O'Brien ... Jim Reardon
Albert Dekker ... Big Jim Colfax
Sam Levene ... Police Lt. Sam Lubinsky
Vince Barnett ... Charleston
Virginia Christine ... Lilly Harmon Lubinsky
Jack Lambert ... 'Dum-Dum' Clarke
Charles D. Brown Charles D. Brown ... Packy Robinson - Ole's Manager
Donald MacBride ... R.S. Kenyon
Charles McGraw ... Al
William Conrad ... Max
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Storyline

Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

BOLD -- because it's told the untamed HEMINGWAY WAY! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

30 August 1946 (USA) See more »

Also Known As:

Ernest Hemingway's The Killers See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Although the name of the character played by Burt Lancaster is pronounced "Anderson", it is properly spelled (as in Ernest Hemingway's original story) as "Andreson". See more »

Goofs

There were several errors involving the firearms used. When Burt robs his cohorts, the gun is obviously not real, probably rubber, because the barrel is pointed downward from the frame. If he were to shoot at someone's chest, the bullet would probably hit below the belt. When Edmond O'Brien is holding his pistol at the bad guy, he says it is a .45, but a trained eye can see that it is either a .32 or .380, most likely of Spanish origin. When Edmond asks Sam Levine if he has another .45 for him, Levine says yes, but the gun turns out to be a .38 revolver instead. See more »

Quotes

Jail ward doctor: [speaking about the fatally wounded Blinky] Beats me. I don't know what keeps him going.
Jim Reardon: Will he be able to talk anymore?
Jail ward doctor: He's dead now - except he's breathing!
See more »

Connections

Referenced in The Man with Bogart's Face (1980) See more »

Soundtracks

The More I Know of Love
(1946)
Music by Miklós Rózsa
Lyrics Jack Brooks
Performed by Ava Gardner (uncredited)
See more »

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User Reviews

 
The swede story unravels in noir classic.
4 March 2008 | by SpikeopathSee all my reviews

You can scan thru many publications and they will tell you that Robert Siodmark's adaptation of Ernest Hemingway's story The Killers is quintessential noir, and whilst I haven't seen enough of the perceived classics to make a sound judgement, I do understand why this one ranks so high.

Perfectly directed by Siodmark because it is washed with a moody ambiance that befits the script, the main players in the piece are bang on form to realise the mood and sombre tempo that makes the film a winner. The story basically revolves around Burt Lancaster's Swede Anderson who upon learning that hired killers are out to fulfil a contract on him, promptly stays horizontal on his bed and awaits his fate. We then follow Edmond O'Brien's insurance investigator Jim Reardon as (thru a series of flashbacks) he reconstructs Swede's life and what caused his demise.

The story encompasses one of film noir's most well known femme fatales in Ava Gardner's foxy Kitty Collins, and it's certainly the film's driving force as we observe her part in Swede's life, for better or worse as it were, but ultimately it's the classy framing of the film that marks it out as essential viewing. It's oppressive, it's almost stifling, and it's certainly story telling of the highest order, but mainly it just looks so fecking gorgeous you feel privileged to have been part of it. 9/10


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