Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint Mr. Potter from taking over the entire town. All that prevents him from doing so is George's modest building and loan company, which was founded by his generous father. But on Christmas Eve, George's Uncle Billy loses the business's $8,000 while intending to deposit it in the bank. Potter finds the misplaced money and hides it from Billy. When the bank examiner discovers the shortage later that night, George realizes that he will be held responsible and sent to jail and the company will collapse, finally allowing Potter to take over the town. Thinking of his wife, their young children, and others he loves will be better off with him dead, he contemplates suicide. But the prayers of his loved ones result in a gentle angel named Clarence coming to earth to help George, with the promise of earning his ...Written by
The film has two lines of "secret dialog" - spoken quietly through a door. (They can be heard when amplifying the volume, and are also explicitly depicted in the closed-captioning.) The lines occur at the end of the scene set in Peter Bailey's private office with Bailey and his son George, and Potter and his goon present. After George raves to Potter that "you can't say that about my father", he is ushered out of the room by his father, then George is shown standing outside the office door. At that moment, George overhears the following two lines of dialog through the glass pane of the door behind him: POTTER: What's the answer? PETER BAILEY: Potter, you just humiliated me in front of my son. See more »
When George Bailey and Mr. Potter are arguing in the board room after Peter Bailey's death, George does not mispronounce "gnawing" as "gawing". He says "... and it's GALLING you!" See more »
Mr. Emil Gower:
I owe everything to George Bailey. Help him, dear Father.
Joseph, Jesus and Mary. Help my friend, Mr. Bailey.
Help my son, George, tonight.
He never thinks about himself, God, that's why he's in trouble.
George is a good guy. Give him a break, God.
I love him, dear Lord. Watch over him tonight.
Please, God, something's the matter with Daddy.
Please bring Daddy back.
See more »
A ringing facsimile of the Liberty Bell (without the crack) forms the backdrop for the studio logo, which is Liberty Films, and the opening credits are in a scrapbook with Christmas decorations. The bell reappears before the end credits, and the end credits have a Christmas card picture as a backdrop. See more »
Beware of the many edited 16mm/"Public Domain" prints still floating around somewhere on home video. See more »
I am a film lover from 'way back, having even served a stint as a newspaper movie critic. Entries in my personal list of Greatest Films of All Time include "Fantasia," "To Kill A Mockingbird," "Casablanca," "Singin' in the Rain," "North by Northwest," and "The Sound of Music. But sitting atop all of them, as undisputed champ, is "It's a Wonderful Life."
I have seen it hundreds of times (dating back to, oh, when I was a teenager I suppose, and our local PBS station ran it as part of a pledge drive). I drive my wife and family to distraction when we watch it together because I quote all the dialogue along with the actors.
I cry every time--and this is after viewing upon viewing--when Harry Bailey toasts his big brother George as "...the richest man in town." The emotions in that scene are so true and pure that I can't help but be affected by them.
The performances are unparalleled. Stewart is brilliant as a small-town dreamer who loses and finds his way. His superlative acting abilities cause us to identify strongly with him (how many of us have lamented--even to ourselves--that no one seems to notice the sacrifices we've made?), which is, I think, why the movie bears up under so many repeat viewings. Reed is just lovely here, the epitome of sunny girlfriend, caring lover, devoted wife, dedicated mother.
Capra's talent as a screenwriter are all over this script. He knows just how hard to tug the heartstrings without becoming overblown or phony. And his technical wizardry is evident too. I've never seen--before or since--more natural-looking onscreen snow.
Watching IAWL has become a tonic, a pick-me-up when I really need one--whether it's the Christmas season or not. Its message--that each one of us is important and has *something* to contribute to the greater good--is one about which the world could use some reminding from time to time.
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