On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ...
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It's turn of the century America when Andrew and Veronica first meet - by crashing into each other. They develop an instant and mutual dislike which intensifies when, later on, Andrew is ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend... See full summary »
Small-town Indiana girl Lily Mars dreams to be a stage actress. She begs visiting Broadway producer John Thornway for a role but he dismisses her as an amateur. She follows him to New York and worms her way into his show, and his heart.
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide good cooking and wholesome company for railway travellers. When Susan and her bashful suitor find romance daunting, Susan joins the Harvey Girls instead. The saloon across the street with its alluring worldly-wise women offers them tough competition, fair and foul, and Susan catches the eye of the Ned Trent, the distant but intense proprietor of the bar.Written by
Michael Meigs <Michael.Meigs@dos.us-state.gov>
Two musical numbers (music by Harry Warren, lyrics by Johnny Mercer), "March of the Doagies" and "My Intuition", the former a Judy Garland production number with a reprise, the latter a Garland-John Hodiak duet, were deleted from the film before its release. The first "March of the Doagies" can be viewed in the film That's Entertainment! III (1994) and both numbers (including the "Doagies" reprise) can be viewed in the special features section of The Harvey Girls (1946) DVD and in the "That's Entertainment" Box Set. See more »
The real "Harvey Girls" were prohibited from wearing makeup of any sort; however, all the characters are quite obviously wearing not only lipstick but all the typical 1945 Hollywood female makeup. See more »
Chris, what's wrong?
Marty Peters was just here.
Marty Peters? The man who shot the last blacksmith?
He... he... he did what?
[Chris has just been made the new blacksmith]
Well, it's all based on circumstantial evidence. No one actually saw the bullet leave the gun.
[Chris faints dead away]
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Splendid example of the well-crafted musicals dished out of MGM's golden bowl
"The Harvey Girls" is a splendid example of a well-crafted Metro-Goldwyn-Mayer musical from a time when well-crafted musicals were being dished out in abundance from Metro's golden bowl.
Inspired by the revolutionary success of "Oklahoma" on Broadway and tailored to fit the protean talents of it's young leading lady, Judy Garland, the film tells the story, in words and music, of a group of waitresses brought west in the late 1800's to open another link in the Fred Harvey chain of restaurants. In the process, they encounter all kinds of romantic and dramatic conflicts.
The cast is headed by Judy Garland, fresh from her triumph in the blockbuster musical "Meet Me In St. Louis" and her quietly moving dramatic performance in "The Clock". During the filming of "The Harvey Girls", Garland was one of the top box-office draws in the nation, and Hollywood's most versatile actress. She performs the role of Susan Bradley, an adventurous mail order bride who befriends the Harvey girls en route to New Mexico, with a vibrant comic touch. Her ability to combine tongue in cheek humor with her signature vulnerability is very satisfying in this film, and is an early highlight in her already legendary career.
The rest of the cast is first-rate: Angela Lansbury gives a wickedly fine performance as Em, the jaded dance-hall queen with hooded eyes and no-flies-on-me attitude. John Hodiak is the local tough guy and dance-hall owner, and also the object of Garland and Lansbury's affections. Broadway legend (and Garland's "Wizard of Oz" co-star) Ray Bolger does an amusing turn as the town's rubber legged blacksmith, and Preston Foster is the murderous Judge Purvis. The ranks of the Harvey girls are filled by some of Hollywood's most marvelous character actresses, including Marjorie Main and Virginia O'Brien, and the dancer Cyd Charisse in one of her first roles.
The film boasts what New York Times film critic Bosley Crowther appreciatively called "an abundance of chromatic spectacle and an uncommonly good score", the centerpiece of which is the Academy Award-winning song of the year (1946), "On The Atchison, Topeka, and the Santa Fe". This production number fills the screen with the colorful bustle of singers, dancers, and horses, and in the best Broadway tradition, advances the plot by introducing almost every cast member and giving them the opportunity to tell their story, in song, and their motivation for coming west in the first place. A spectacular bit of Golden Age musical magic, topped off by Garland's star turn entrance and full-throated belting of the Johnny Mercer/Harry Warren song.
The creative team behind this fable is as impressive as the talent in front of the camera. In addition to the score by Mercer and Warren, the film was directed by George Sidney ("Show Boat", "Annie Get Your Gun"), produced by Arthur Freed ("Singin In The Rain", "Gigi"), art directed by Cedric Gibbons ("The Great Zeigfeld", "The Wizard of Oz"), with musical direction by Lennie Hayton, orchestrations by Conrad Salinger, and musical arrangements by "Eloise" children's book author and singer Kay Thompson (a decade before she sizzled onscreen as the fashion magazine editor in the Audrey Hepburn classic "Funny Face").
This film will include restored Technicolor and stereo sound on DVD, and also a few musical numbers which were cut when the film was released due to length, and have been locked away in the MGM vaults. Now they have been restored, and the viewer can enjoy more of what film critic Howard Barnes called "a great big animated picture postcard."
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