On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ...
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It's turn of the century America when Andrew and Veronica first meet - by crashing into each other. They develop an instant and mutual dislike which intensifies when, later on, Andrew is ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Small-town Indiana girl Lily Mars dreams to be a stage actress. She begs visiting Broadway producer John Thornway for a role but he dismisses her as an amateur. She follows him to New York and worms her way into his show, and his heart.
Andy's girlfriend Polly is planning to spend Christmas at her grandmother's, which puts a kink in his plans to take her to the country club Christmas party. He agrees (for a fee) to pretend... See full summary »
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide good cooking and wholesome company for railway travellers. When Susan and her bashful suitor find romance daunting, Susan joins the Harvey Girls instead. The saloon across the street with its alluring worldly-wise women offers them tough competition, fair and foul, and Susan catches the eye of the Ned Trent, the distant but intense proprietor of the bar.Written by
Michael Meigs <Michael.Meigs@dos.us-state.gov>
The setting of the story in "Sandrock" and the design of the Harvey House sets that stood on MGM's Back Lot #3 and on the sound stage for this film were inspired by the Castaneda Harvey House in Las Vegas, New Mexico, which still stands as a National and State Historic Landmark of New Mexico, along the old Santa Fe tracks and just to the north of that town's current Amtrak station. Amtrak's Southwest Chief still stops at the station, but the Castaneda is vacant and fenced off. Although the studio sets were constructed of wood, elements from the Castaneda's basic exterior architecture and of the interior dining room were applied to the set designs for this film. A few of the historic incidents that had occurred at the Castaneda were incorporated into the script. A large outcrop of rock such as that where Susan Bradley (Judy Garland) and Ned Trent (John Hodiak) meet can be seen from the Castaneda across a small prairie. The balcony upon which Garland, Cyd Charisse and Virginia O'Brien share a song is a replication of the Castaneda's street-side second-floor balcony. And yes, a saloon once existed directly across the street from the Castaneda in a building which is now abandoned. All of the sets from the The Harvey Girls (1946) were built in Culver City, California; most of them utilizing existing western street buildings on the back lot; using the Castaneda and Las Vegas, New Mexico, only as a blueprint for elements in the script and for set design. However, the Castaneda and much of Las Vegas, New Mexico, would later be used as an actual location in Red Dawn (1984). See more »
The real "Harvey Girls" were prohibited from wearing makeup of any sort; however, all the characters are quite obviously wearing not only lipstick but all the typical 1945 Hollywood female makeup. See more »
[talking to Susan Bradley]
I sent my picture into one of those Lonely Hearts Clubs and they sent it back, saying "We're NOT that lonely!"
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Very appealing MGM musical with wonderful songs, colorful production, Judy Garland at the peak of her feisty charms. In the burgeoning days of train transportation, women are needed to work the eateries scattered throughout the Southwest; in a small New Mexico town, Judy decides to ditch her mail-order marriage for a waitressing job, but she soon finds love again. "On The Atchinson, Topeka and The Santa Fe" won a Best Song Oscar, and deservedly so; this grand number gets the full treatment, and is so exuberantly staged it becomes a classic by itself. The picture does runs short of ideas and inspiration near the end, leading to a poorly-staged romantic finale, yet the supporting cast is excellent, particularly Angela Lansbury as a jealous showgirl. *** from ****
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