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Gilda (1946)

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A small-time gambler hired to work in a Buenos Aires casino learns that his ex-lover is married to his employer.

Director:

Charles Vidor

Writers:

E.A. Ellington (story), Jo Eisinger (adaptation) | 1 more credit »
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1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Rita Hayworth ... Gilda
Glenn Ford ... Johnny Farrell
George Macready ... Ballin Mundson
Joseph Calleia ... Det. Maurice Obregon
Steven Geray ... Uncle Pio
Joe Sawyer ... Casey
Gerald Mohr ... Capt. Delgado
Mark Roberts ... Gabe Evans (as Robert Scott)
Ludwig Donath ... German Cartel Member
Donald Douglas ... Thomas Langford (as Don Douglas)
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Storyline

Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

I was true to one man once... and look what happened! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish | French | German

Release Date:

25 April 1946 (USA) See more »

Also Known As:

Гильда See more »

Filming Locations:

Hollywood, California, USA

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The script was not yet finished when filming began. According to choreographer Jack Cole, "The script pages would arrive practically the morning that we were going to shoot, they were making the picture up as we went along. If you really look, you can tell that was the way the picture was done because it doesn't really make any sense if you try to follow the story." See more »

Goofs

When Johnny is beaten up by Mundson's henchmen, his tie jumps out of his coat. Later, when he is talking to Mundson, his tie appears untidily held by his coat. See more »

Quotes

[first lines]
Johnny Farrell: To me a dollar was a dollar in any language. It was my first night in the Argentine and I didn't know much about the local citizens, but I knew about American sailors, and I knew I better get out of there.
See more »

Connections

Featured in The Fisher King (1991) See more »

Soundtracks

Amado Mio
by Allan Roberts and Doris Fisher
Performed by Rita Hayworth (dubbed by Anita Ellis) (uncredited)
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User Reviews

 
You gotta give this movie its due for style and sex appeal!!!
15 April 2007 | by MartinHaferSee all my reviews

This film is a great example of a very good film whose style and sense of sex appeal actually surpasses the plot. Now this isn't to say that the film has a bad plot--no, it's good enough. It's just that the wonderfully Noir-like dialog and Rita Hayworth's incredible sex appeal are what you are left with when the film is over--not the plot! Despite being a Rita Hayworth starring vehicle, she actually doesn't take up the lion's share of the screen. In fact, she doesn't even make an appearance until about 20 minutes into the film! This task of anchoring the film is given to a young and very effective Glenn Ford--who does a fine job as a street-wise but smart young punk wanting to make it to "the big leagues" and stop hustling for small change. When Ford meets up with George Macready, it's an incredibly memorable Noir moment. The crackling dialog between them and Ford's not even bothering to thank Macready for saving his life is so stylish and made the Film Noir lover within me happy! Later, in another great scene, Ford has just been worked over by a bouncer from a high class casino when he finds out this is Macready's business! Instead of being angry, both strike up a working arrangement--and Ford dispatches the bouncer is a brutal manner! Only later, after Ford has been Macready's right-hand man for some time does Hayworth enter the film. The reaction to her arrival indicates that there is SOME unfinished business between the two--but now Rita is Macready's new wife! Now this brings me to one problem about the film. It isn't an insurmountable problem, but supposedly Rita and Glenn had been lovers some time before and their meeting now was by pure chance. However, considering that they were in love in New York and the film takes place in Argentina, you are left wondering "what are the odds?". Despite this, you aren't left wondering for long because of the sparkling dialog and chemistry between Rita and Glenn. In other words, because of all the steamy moments on the screen, you tend to forget the occasional inconsistency of the plot. And, speaking of steam, there is a lot. Despite apparently being pregnant during the shoot, Miss Hayworth managed to create the sexiest portrayal on film from the era...period. Her languid singing, her amazing dresses that looked like they were glued on and the dialog between her and Ford all created an amazing atmosphere that just can't be equaled. Sure, the plot was fine, but the mood--that's what makes this an exceptional film.

By the way, it is rather fascinating to see that in many ways this film mirrored the real-life antics of Rita--especially in regard to how she had a devil of a time picking men! Both Gilda and Rita both seemed to have a lot of sex destructiveness within them.


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