6.9/10
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13 user 2 critic

Dual Alibi (1947)

Twin trapezists fall out over a lottery ticket and a worthless woman, but later extract a unique revenge.

Director:

Alfred Travers

Writers:

Alfred Travers (screenplay), Stephen Clarkson (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
Herbert Lom ... Jules de Lisle / Georges de Lisle
Phyllis Dixey Phyllis Dixey ... Penny aka Gloria Gregg
Terence de Marney ... Mike Bergen
Ronald Frankau ... Vincent Barney
Abraham Sofaer ... French Judge
Eugene Deckers ... French Ringmaster
The Cromwell Brothers The Cromwell Brothers ... Trapeze Act
Ernst Ulman
Ben Williams Ben Williams ... Charlie
Clarence Wright Clarence Wright ... M. Mangan
Beryl Measor Beryl Measor ... Gwen
Harold Berens Harold Berens ... Ali
Griffiths Moss Griffiths Moss
Gerald Conway Gerald Conway
Sebastian Cabot ... Loterie Nationale Official
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Storyline

Twin trapezists fall out over a lottery ticket and a worthless woman, but later extract a unique revenge.

Plot Summary | Add Synopsis

Taglines:

The Perfect Murder?

Genres:

Crime | Drama

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Details

Country:

UK

Language:

English

Release Date:

30 June 1947 (UK) See more »

Also Known As:

Zirkus Barney See more »

Company Credits

Production Co:

British National Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

As well as appearing in their own right, The Cromwell Brothers doubled for Herbert Lom. See more »

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User Reviews

 
Dark, gripping and memorable melodrama
5 May 2011 | by wilvramSee all my reviews

Like one or two others here, I recall seeing this on TV years ago. It certainly made an impression and watching it again recently reminded me why it did.

The story never falters from the start and there's neither an extraneous scene nor wasted word of dialogue. The word 'noir' is often used inaccurately on IMDb and elsewhere these days to describe a run of the mill crime movie that happened to be shot in black and white, but this film is the real thing. Not a single scene takes place in daylight, and the often oppressive ambiance is caught in the opening shot as a bedraggled group of unemployed men are made up as clowns to go out in the pouring rain with sandwich boards to promote Vincent Barney's circus. The kindly Barney recognises one of the de Lisles, identical twins and trapeze artists who used to be his star attraction and who now recounts his fall from grace.

Director Alfred Travers did not enjoy a high profile, making few films, mostly obscure second features, but he clearly knew what he was doing here. By comparison, for example, the renowned Terence Fisher's 'noirs' for Hammer in the early 1950s are heavy-handed and soporific. Apart from Travers' skill in keeping the story moving, the circus atmosphere is conjured brilliantly through the judicious choice of background music, particularly Stanley Black's haunting trapeze theme, since the budget apparently didn't stretch to featuring any actual circus acts apart from the twins' high-flying act and brief glimpses of a horse and an elephant. Not least he gets some excellent performances too. Herbert Lom is superb as the twins, bringing out their subtle differences, and with the aid of James Wilson's masterly trick photography, all the more remarkable on such a poverty row production, it's easy to suspend disbelief. The talented and popular comedian of radio and concert parties Ronald Frankau, making a rare screen appearance, brings charm, authority, and a sense of fun to his portrayal of the avuncular and sympathetic Barney. Terence de Marney is convincing as the repellent and ruthless Mike Bergin, whilst playing his accomplice, Penny, is 'Britain's First Lady of Striptease' Phyllis Dixey. She doesn't do a bad job; but this was only her second and last film appearance. Her striptease act must have been of a very genteel variety, in fact according to one aficionado 'her girls did the stripping while she gave the audience the occasional "flash"! She was portrayed by Lesley-Anne Down in an excellent TV biopic THE ONE AND ONLY PHYLLIS DIXIE, broadcast in November 1978.

DUAL ALIBI concludes with a twist ending as unforced and logical as it is uncompromising, and should definitely be a candidate for DVD release by one of those companies specialising in forgotten classic British films!


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